kaberett: a watercolour of a pale gold/salmon honeysuckle blossom against a background of green leaves (honeysuckle)
Today's progress: ink.

a sketch of two strawberry leaves, two strawberries, and a flower, now inked


I had to take a medium-length break before inking the final strawberry bracts, because my hindbrain was Very Convinced that there was a Tiger; further decisions about whether I'm going to leave it black-and-white (with some more inked detail?) or colour it in are being left for tomorrow.

I am noodling away gently at the similarities between the iterative process of "pencil blobs -- pencil slightly more defined shapes -- refine shapes further -- consider ink" and that of writing. I am proud of myself for Doing A Thing that I apparently found really quite scary; I am proud also that I can look at it and see Things I Like and Things I've Learned, rather than Everything That's Wrong. Gosh but it's nice to have got here.
kaberett: Photo of a pile of old leather-bound books. (books)
I have been thinking a lot, lately, about how somewhere along the line I shifted from "terrified that my supervisors would know everything I was doing was wrong" to "willing to tell them they're wrong and then go find the data to back myself up"; from imagining my viva making me shut down with panic to, honestly, kind of looking forward to it.

I was scared of my supervisors -- the primary authority figures in this part of my life -- thinking poorly of me. I was terrified, similarly, of examiners-as-authority-figures thinking poorly of me.

Put in those terms, I think one facet of what's shifted is that I have, really and truly, started to view my supervisors and examiners as my equals. And from there, bearing in mind the very human need for ritual, all of a(n apparent) sudden I seem to be thinking about the viva less as an inherently hostile environment where I will inevitably be set up to fail (I don't think my trauma is terribly disguised, here) to... a rite-of-passage, that recognises and -- through a particular social alchemy -- realises that I, too, am an authority figure.

I'm very curious about how the ripples from the event will wind up affecting the rest of my self-concept and self-confidence.
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
A framing I have been mulling particularly this week, with respect to playing the horn but also other topics: if I want to Do A Thing, then setting a minimum amount of Thing below which I have "failed" such that I can "fail" while Doing the thing at all is... actively counterproductive.

If horn practice "doesn't count" if I don't play for half an hour, then that's twenty minutes of actually playing plus the executive function involved in getting there that... I'm beating myself up over, because it's "not good enough", so I get all the exhaustion and all of the shame and a lot of the "there's no point even trying" and none of the dopamine.

Which is, I think, why "play one note! any note! there you go You've Done The Thing" is working so well for me: it's a minimum I can do reliably, and then of course once I've actually picked the horn up it's fairly easy to trip and fall into doing at least 15 minutes' practice I otherwise wouldn't have, and hey, guess what, that practice is cumulatively leaving me in much better shape than I was even a month ago.

And: even when I don't like the sound I'm making, the "one note is enough!" lets me go "hmm, I'm noticing that I'm hurting... here, what's going on with that?" and, you know, at least trouble-shoot! Noticing and thinking about problems is way better than never having them arise in the first place.


I note that this general attitude is also the thing that gets me unstuck on PhD-related writing (write some bullet points; convert some bullet points to highly informal conversational prose; ...) and a variety of non-musical physical skills: "hey GO YOU you DID A THING and FOR BONUS POINTS you can see what you want to work on next!" is Very Much the opposite of failure.

But good grief have I got a deep-rooted historical pattern of looking at something I've done, judging it inadequate, and giving up -- which is a not dissimilar thought process, but is skewed enough to lead me fairly badly astray.
kaberett: Clyde the tortoise from Elementary, crawling across a map, with a red tape cross on his back. (elementary-emergency-clyde)
Via [tumblr.com profile] star-anise, the following excerpt from Psychopolitics: Neoliberalism and New Technologies of Power (Byung-Chul Han):
... psychic maladies such as depression and burnout define our times. In contemporary American self-help literature, the magic word is healing. The term refers to self-optimization that is supposed to therapeutically eliminate any and all functional weakness or mental obstacle in the name of efficiency and performance. Yet perpetual self-optimization, which coincides point-for-point with the optimization of the system, is proving destructive. It is leading to mental collapse. Self-optimization, it turns out, amounts to total self-exploitation…the only pain that is tolerated is pain that can be exploited for the purposes of optimization. But the violence of positivity is just as destructive as the violence of negativity. Neoliberal psychopolitics, with the consciousness industry it promotes, is destroying the human soul, which is anything but a machine of positivity (Positivmaschine). The neoliberal subject is running aground on the imperative of self optimization, that is, on the compulsion always to achieve more and more. Healing, it turns out, means killing.

Until reading this, I'd always found this kind of argument baffling and alienating, but for some reason this iteration-articulation of it has, I think, made things click into place.

The gap in my understanding arises, I think, from the fact that I was making myself actively ill with perfectionism, with stress, with Getting Everything Done, up until the end of my first year of university, when I did very well in my exams and therefore, as best I can tell, proved to my hindbrain that I Could Do This, and abruptly started prioritising... well... self-care and healing, instead. I read the stuff about self-optimisation, I took it to heart, and I decided that the thing I wanted to do was get better and so I... did.

It has been slow and occasionally faltering, but now I eat regular meals and I sleep approximately regular hours at night and I (try to) listen to my body about when I need to stop and then I do that...

... and this means I did worse in all my subsequent exams and I can't even pretend to hold a full-time job and I take naps during the day and I have slowed way, way down. I recognise that I am lucky that (for now) I live in a country where the social security net is such that I can do that, such that I have the material option of not working myself to death --

-- but the disconnect is around the crux of the thing, the definition that "self-optimization that is supposed to therapeutically eliminate any and all functional weakness or mental obstacle in the name of efficiency and performance". I'm just... working toward a different definition of "efficiency" and "performance", I think, and for whatever reason the self-care advice actually worked for me, actually practically directed me towards my own health as centre and priority, rather than my output.

I'm not sure how much of that is down to the precise disability activism context I found myself in, but -- it itched at me, to not understand why so many people were finding so harmful a broad genre of advice I had found intensely -- well -- healing.


There's also, of course, the part where I curate my reading intake fairly heavily, so probably a lot of what they're talking about is not in fact at all what I think of given the keywords in question -- but still. It's a relief to have puzzled it out.
kaberett: (the lost thing)
I've been noticing, working my way through Brené Brown's books, that many of the ways in which she defines or exemplifies vulnerability are just... not intuitive to me. They don't stick; they're an active effort to think my way through every single time I try to engage with the concepts involved. "To be vulnerable is to be capable of being hurt; to be weak is to be unable to withstand injury" is a definition she suggests that sort of works for me on an abstract level -- I at least don't have to work to remember it -- but I don't experience any emotional resonance with it.

Here's an alternative I've been turning over: vulnerability is offering people more complete data so as to enable them to better model me.

On the one hand, I can sort of see that it might sound more impersonal, more abstracted, than the explanation proposed in the previous paragraph -- and on the other it's one that I am viscerally attuned to, to the point that typing it out leaves me hyper-aware of my belly and my throat, of my physical softness, of my -- yes -- vulnerability made manifest. ("The delicacy of my skin" might need to feature in a poem, hmm.)

It seems to be a succinct and internally intuitive way for me to encode the thought-shape of hope-and-fear inherent in letting people see me by showing them how to hurt me (by telling them how I work), with its mirror terror that even if I try I won't be understood.
kaberett: a watercolour painting of an oak leaf floating on calm water (leaf-on-water)
(For the princely sum of £15, no less.)

Boots are polished and out by the window, though, and probably very grateful for it they are too, given how long & how desperately they've needed a clean.

It is an interesting tension, for me, between not-my-religion and definitely-my-cultural-heritage, but observing Heiliger Nikolaus is a link to my grandmother and also an excuse to clean my shoes, so here we are, and in the morning I'll get up early to go to lab & they'll contain treats & I will pocket some of them to take with me.
kaberett: Photo of a pile of old leather-bound books. (books)
I first picked up a physical copy of this book from the library, way back in July 2018, but was feeling much too swamped to get to it before it needed to be returned (and I couldn't just renew, because someone else had inconsiderately placed a hold on it). At the time, [personal profile] vass summarised it to me as "annoying and also useful".

At the beginning of August, I read Brené Brown's Daring Greatly, and in the process of so doing took nine pages of dense notes. This was partly a function of having borrowed an ebook from the library, such that I ended up copying out particularly resonant passages longhand to have them to refer back to, rather than simply underlining them (in a physical copy) or highlighting them (in an ebook I myself own), but a lot of it is my active engagement with the text: feelings and reflections and agreement and, of course, argument.

Because, well, [personal profile] vass was Not Wrong.

The irritants are by-and-large things where, mmm, I can see how Brown got there, but that doesn't actually mean I think they should have made it through to publication. Criticisms. )


Those criticisms aside (it probably helped that I was taking notes as I went along, so I could write a furious all-caps rant about The Bullshit and then set it down), I very much did find this book useful. Some of that's theoretical framework; some of it's validation of things I'm already doing; some of it's questions to consider further; some of it's things to try. As a pretty direct consequence of reading and engaging with the book, I've managed to bridge some longstanding gaps in my understanding of myself, which definitely makes the exercise worthwhile for me.
Vulnerability is the core of all emotions. To feel is to be vulnerable. To believe vulnerability is weakness is to believe that feeling is weakness.

The background: Brown researches (human, social) connection, which has led to explorations of shame, and resilience, and scarcity, and worthiness, and vulnerability. She believes vulnerability -- healthy, sustainable vulnerability -- to be key to living what she terms Wholeheartedly; I arrived at this book in the middle of an ongoing struggle with feeling isolated and lonely and unsure of of how to address it, and this framework -- of what vulnerability is, and how it functions, and how it relates to the human condition -- feels like exactly what I need.

Read more... )
kaberett: Photo of a pile of old leather-bound books. (books)
A remarked to me the other day that People Are Terrible At Predicting Their Own Future Behaviour, But Pretty Good At Predicting Their Friends', which... he knew... because he read it online somewhere at some point.

I have therefore spent a little while this evening trying to track down sources for this, because it possibly Explains A Lot about things I find frustrating about human interaction, and also possibly gives me something solid to consider when trying to work out if, as I am often told, I really am atypically self-aware & self-reflective.

The first thing I turned up was a 1996 paper asserting that, based on two studies, self-prediction of future behaviour was more accurate than predictions made by "knowledgeable others" (here being mothers or peers), especially when predicting negative outcomes. Hmm, I thought.

But then! I found an article that is probably roughly what he was talking about, being a pop-psych review of the work of David Dunning (as in the Dunning-Kruger effect, which turned out to be a bit more complicated than that) on, well, self-assessment (and the extent to which it's a learnable skill). Dunning himself wrote up an overview for the BPS, which I will read in more detail at some point when it's not Definitely Getting On For My Bedtime, but -- having hunted down the links I'm leaving them here in case any of you lot feel moved to weigh in.
kaberett: a watercolour painting of an oak leaf floating on calm water (leaf-on-water)
Over the past few weeks I've caught myself starting to miss Belfast, a little, in a wistful sort of way. I catch myself thinking next time I go into town with the wrong referent for "town"; I look forward to breakfasts at St George's Market (and the ridiculous little cake stall), especially when I've made soda bread; the books I've been reading have included lots of descriptions of light reflecting off the water and onto the ceiling, and so I've been missing that, too.

But: for the most part, it's a pleasant kind of nostalgia. I'm glad we went; I'm glad I'm home; I'm glad I've got the memories to carry with me.
kaberett: a patch of sunlight on the carpet, shaped like a slightly wonky heart (light hearted)
Here is an article in the Paris Review: The Crane Wife. I found most of it luminous and compelling, in ways that made my whole body feel more alive, and then the concluding paragraphs -- about connection and autonomy and agency -- somehow left me unsatisfied.

But it reminds me: the sensation it gave me, that I think is what is now described as ASMR (passim), is something that throughout childhood I described at least sometimes as "a goose walk[ed/ing] over my grave". It was the best approximation I had; I'm not sure whether that usage is typical, or more widespread, or wildly unusual, but I remain curious about ways we have of talking about this thing.
kaberett: A green origami stegosaurus (origami stegosaurus)
(i.e. HEY [personal profile] niqaeli I FINALLY TRIED OUT THE THING)

Photo of the back of someone's head, showing a complicated messy braid.


This is recently-washed hair, after a day of Doing Stuff including Going To The Gym, and was also my first attempt, so -- yep, it's messy, and also I will... do better at dividing my hair next time, but I'm tolerably pleased with it as proof-of-concept. It is indeed remarkably comfortable to wear.

Also: [syndicated profile] shittydinosaurs_feed is now a thing that exists.
kaberett: Yellow gingko leaf against teal background (gingko)
The t-shirt I wore to cast my second vote today:

A torso dressed in a navy blue t-shirt with stylised yellow sun, moon and stars, with text "Muncie Girls"


(I was a proxy. It didn't occur to me until after I'd already cast my first vote that of course this was the most appropriate clothing I owned for the occasion. For your amusement: the album title is Fixed Ideals.)

Beneath the cut, a very similar photo, minus the t-shirt. It's exactly one year since I got top surgery. NSFW, probably.

Read more... )
kaberett: Photo of a pile of old leather-bound books. (books)
Not-really-a-linkspam: How Autistics and Neurotypicals Experience Emotions Differently. I have a whole bunch of quibbles & criticisms, but I'm interested in the framework, the concept of experiencing "justice" and "mercy" and "work" as emotions -- for example (emphasis as in the original):
I have a close friend [...] She will show me something she has been working on, and my immediate response will be to correct the language which might not be as accurate or as thoughtful as it could be. I do this before telling her how proud I am for the Work she’s doing, before I tell her it’s well-written, and before I affirm for her that she is a good person doing a good thing. She does the same for me.

The reason is because if someone complimented me on Work I was doing, then I would feel they were implying that I was Laboring in the interest of self-promotion or validation-seeking. These aren’t spoken values, but something we feel innately. This is how I Labor with other autistics. We correct each other. We offer what expertise and insight we can to sharpen the other’s Work, to add volume and clarity to the other’s Love song.

I don't think the things the author talks about as Weird Neurotypical Habits -- gifts, cards, talking about the weather, asking "how are you?" -- are in any sense universally solely Weird Neurotypical Habits even though they don't work for her. "We don’t really congratulate each other, because that would be an invalidation of the Purpose." -- um, excuse me, no. (There's probably something here about autism and trauma, as previously discussed: it's taken me a while to learn that it's useful for me to note and recognise and praise effort, as well as outcomes and product, but it taking me a while to notice that, it not coming naturally to me, doesn't mean it's pointless or invalidating.)

But it still feels like there is Something In There, even if I've not managed to articulate it yet, so apparently that's what I'll be chewing over this afternoon.

juggling

Mar. 20th, 2019 10:50 pm
kaberett: Clyde the tortoise from Elementary, crawling across a map, with a red tape cross on his back. (elementary-emergency-clyde)
not braining content notes for this but There Are Some

Read more... )

Stubborn positivity:
  1. A came home via the big supermarket the other evening, bearing gifts: specifically, cut-price nonsense geometric chocolates in a variety of flavours. I had in fact been eyeing that very box up every time I went past and feeling like I couldn't possibly justify getting it, so it was a Very Nice Surprise.
  2. Movement: my knee is still coping with increased resistance + cardio at gym, and I'm starting to feel like I'm getting meaningful exercise out of it, as well as increased stability/physio work.
  3. Kew is putting on a massive bullshit sculpture trail this summer, which I found out yesterday, and I am really looking forward to it. I am intending to make at least one evening-opening visit, along with hopefully multiple daytime visits. (Specifically, it's bullshit abstract glass sculpture by the dude responsible for the V&A chandelier, which I'm enormously fond of.)
  4. I have used up all the ravioli filling... and still have an eighth of the dough left, so that's going to get turned into another batch of tagiatelle, I think. (Dinner was ravioli. It was good.)
  5. M posted new fic and I spent Some Time rolling around in it and asking yet more questions.
  6. A is making great strides towards (i) sorting the Piles such that we can meaningfully get rid of them and (ii) putting things on Freegle (after Freecycle didn't bite). Order is emerging from chaos and it is doing my brain a good.
  7. I managed to leave the house today while it was actually still light -- down to the end of the road for a Pokémon raid (hiiii Shinx). AND on the way back from the gym we got a NEW SPECIES, which, yes hurrah good there had never previously been one of those spawned that I could actually get to.
  8. w8rose does a raspberry-and-passion-fruit cheesecake, it's currently cut price, and it's exactly what I wanted.
  9. I do in fact have a bunch of useful How To Humaning-related expertise, and I am in fact managing to help people make their lives better using it, and they are in fact learning principles and frameworks from me such that they can work more of this shit out for themselves independently, and I am pretty fuckin' proud of them.
  10. I am, very shortly, going to go curl up in a bed that doesn't actively hurt me, underneath an anger blanket, with a hot water Adam, and I am going to sleep.
kaberett: A cartoon of wall art, featuring a banner reading "NO GLORY SAVE HONOR". (no glory save honour)
Content notes: consent-adjacent discussion (in a general context).

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kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
it's just about exactly a decade since I started binding. As of about six months ago -- counting the post-surgical binder -- I stopped, again, for good. It's lovely.
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
[Content notes: UK politics, disability, gender]

Read more... )

***

[Content notes: state violence, policing, incarceration, white person discovers racism]

Read more... )

***

I've had time to read because I am fairly emphatically Taking This Week Off in the Peaks, after three frustrating days on the mass spec last week (resulting in 0 usable data). I am fairly shortly setting off to spend the afternoon at Biddulph Grange Garden; I found it by looking through National Trust properties within striking distance of the cottage we're staying in, and then realised it was ringing a faint bell. I eventually recalled that [personal profile] nanila had been singing its praises remarkably recently, and thus the decision was made.

I have also been playing some more board games; less than I expected but more than zero, with the big obvious progress being that when Our Host expressed doubt over whether I'd get on okay with Avalon I checked in with A, and then pushed to play it anyway. (My side lost! But I did well at my role.) The less-obvious progress is that I'm reaching the point where I'm not spending new-to-me games mostly focussed on managing my anxiety, and consequently am beginning to very tentatively build a model of why People In General enjoy board games. In particular, I'm tentatively beginning to see how people might enjoy them in a way that isn't centred on self-aggrandisement and competitiveness; instead, I think I am beginning to understand the use of games as combination social vehicle and, mmm, experiments in collaboration and problem-solving and exploration: collectively enjoying investigating How This Works, and How It's Different, in a similar fashion to talking about what Interesting And New things a given book is doing.

I'm not certain about this yet! But it still feels like progress to be moving from "panic" to "tentative modelling", and I suspect that once I'm secure enough in my modelling I'll be able to start working out whether I enjoy the games.
kaberett: a watercolour painting of an oak leaf floating on calm water (leaf-on-water)
My immediate reaction to Captain Awkward #1141 was "-- SWEETHEART do I EVER have some advice for you --"

... and I'd already composed half a reply in my head, and then got to the bottom and found comments were, entirely understandably, turned off.

Read more... )
kaberett: a patch of sunlight on the carpet, shaped like a slightly wonky heart (light hearted)
A model of social interaction I am chewing over: the trade-off between the background assumption that "well, you're a right-thinking person and we agree on a lot so clearly you'll want what I want" and explicitly-negotiated compromise.

Humans are good at pattern-matching, and we're social animals, and we're prone to forming in-groups based on shared characteristics, and it is actually useful to be able to shorthand shared desire (from "pizza for dinner" to "political whatever", because I am very aware that social situations where "I'd rather not have pizza for dinner" cause major friction and insult are not Unheard Of).

It occurs to me, then, that a lot of the ways in which social interactions have blown up in my face might be usefully modelled as a mismatch of expectations as to how the balance gets struck.

From my perspective, I have a long-term relationship with someone wherein for some time it is the case that I am happy to compromise toward prioritising their needs, because I think that position of compromise costs me-and-therefore-us less than it would cost them; I tend toward the background assumption that when that shifts, when that compromise would cost me, when I end up needing something, they'll be similarly willing to accommodate me.

From their perspective, it seems probable that I've spent a long time being right-thinking and in-group and having wants that align with theirs, and when that's abruptly and inexplicably no longer the case I get shifted to out-group, or to unpredictable threat -- and that's not helped by my utter bafflement and own threat-response at how badly they're reacting to me wanting something that's in conflict with their desires.

Negotiation versus alignment, versus mirroring.

There's a framing in which this is "allistics are sometimes weirdly bad at recognising that not everyone they consider a good person wants what they want all the time in all circumstances"; in which recognising that fallacy and actively and explicitly negotiating instead is a skillset I've learned through negotiating with myself, my own present-versus-future wants, the way BPD affects my timescales of desire and means that it is painfully obviously in my best interests (and the best interests of those around me) for me to examine what I think I want, and why, and make sure I'm comfortable I'm making ethical choices in seeking comfort.

There's another framing -- and please admire the fact that I pay a trained professional £40/hour to access these insights, and that's very much sliding-scale rates -- in which, just maybe, how much space I make for people to want things that aren't what I want... is related to my incredible resistance to the idea, my reluctance to believe, that actually, sometimes, other people's desires do align with mine, even if I express mine first, and that doesn't mean that other-desire is coerced or insincere.
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
A thing I learned yesterday and forgot to mention: charity shops are called solidarity shops.

This morning we were Mostly Asleep (which is, er, not surprising, at least on my part); once we had wrangled ourselves into clothes and through the boulangerie I got A to plot us a route to the Musée d'Orsay, where I dragged him round the Impressionists and had a lot of feelings about Monet; we had lunch in the cafe behind the clock, accompanied by a baffling dessert -- floating island with pink praline in custard flavoured with poppy -- before Investigating the way to the van Gogh. I am NOT SURPRISED I didn't find it last time, okay. (We also paused by all the scale models of Great Exhibition and opera house buildings, while attempting to navigate the lifts.)

Subsequently we wandered down the river a little to Notre Dame, where A was baffled by the sheer architectural scale and especially the little red doors; along the way I was particularly charmed by a set of three adjacent doors getting progressively bigger -- one small narrow single-storey, one slightly taller double door, and immediately adjacent that a bloody enormous two-storey-high set of double doors with a balcony and a two-storey window right above them. We also v much appreciated the various blocks that had just... had another entire house dumped on their roof, because why not.

And then ever-so-slowly back to the hotel, via the exterior of the Centre Pompidou and the Centre LGBT and dinner & some Pokemon & an adventure in public transport i.e. a bus that believed in two wheelchair spaces.

Somewhat clarified thoughts on Impressionism: part of what makes it work so well for me in person and fall so flat in reproduction is the fundamental three-dimensionality of the oil paint. Given that three-dimensionality, and given Monet's depiction of light, and given my short-sightedness, and given the light in the exhibition space, I end up feeling a very strong sense of realness, of miscellaneous complex sensory input: sun-warmth and movement-of-plants-in-wind and smell-of-hay-dust and all that sort of thing. In conversation with A I articulated that at least some of what's going on is that the nature of Impressionism is representing a probability envelope, if you will, of places the scene might be, in contrast with the static frame of photorealism: Monet's paintings look like how I perceive trees-in-motion without my glasses. Combined with the way the three-dimensional painting of the surface catches the light and my own motion, I perceive motion in the static-yet-not canvases, too. Which turns into "wind ruffling plants or grass" and "hay-dust haze" and "moving ripples in water", which means I want to sit and stare at all of the overlapping pictures for a very long time.

To my amusement, this works much better for me with the intimate landscapes than the buildings or the mountains; on a scale or in context where I wouldn't expect the subject to move (even if I might expect changes in light or cloud!) I don't get sucked in in the same way.

So yes. There you go. Probability-envelope articulation, along with why-reproductions-leave-me-cold.

(I was also very pleased by coincidence of the lit buildings and the brightest stars and their reflections in van Gogh's Starry Night Over The Rhône, which I hadn't previously noticed.)

Tomorrow, if we wake up in time: a flying visit to the interior of the Centre Pompidou, and then hooooooooome.

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