Memorial Day Secrets
May. 25th, 2025 12:09 am![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
The post Memorial Day Secrets appeared first on PostSecret.
Slow Horses s1-s3
May. 24th, 2025 11:57 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I want to inflict the Slow Horses, AU-ized, on various fandoms. Some of their mistakes are universal; others can be readily translated between universes.
I mean, really, what do the Jedi do with their terminal fuckups, once they've been accepted as padawans
Not me wanting Roderick Ho the Jedi slicer who thinks he's hot bantha poodoo, nosiree bob.
In other universe-smashing paradigms, I still want to introduce Lamb to Peter Grant. They would loathe each other uncordially. It would be splendid.
Sorry, this is as close as my icon collection gets without going all Gene Hunt -- who would also be deeply entertaining to inflict on Lamb and his merry band, while I'm proposing crossovers.
Dept. of Social Interaction
May. 24th, 2025 10:27 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
We had a young friend over for supper tonight. He's a reporter I've known for a few years. He's very good at what he does, although I sometimes wonder if he fully realizes it. He is an immigrant, whose family came to the U.S. when he was fairly young, and he's worked through some challenges, and done so very well, in my opinion. He recently became an American citizen.
I put together some slow-cooker beef bourguignon (well, it started that way, but I added a lot more than just red wine, plus vegetables that don't normally go into that dish), and an orange cake, put the place generally to rights, with Bob's help. I'd hoped to dust the living room, but Bob got the carpet vacuumed, and that made the place presentable.
For a wonder, everything was ready when our friend got here. It's been some time (as in, a few years) since we've had him over. We truly are hermits; we have friends who we haven't interacted with for horribly long periods of time ... anyhow, last week I ran into him at a social event for people who work for one of the local online news outlets I do stringer work for. He was feeling fairly down for various reasons, and asked if I could give him a hug. Well, that did it for me; I had to have him over for supper.
We had a really enjoyable time with him, for a couple of hours, and then I had to bring the evening to a close. The physical reason was because my back was starting to suggest that I should find some heat or ice as soon as possible. The mental and emotional reason was that I abruptly lost every one of my remaining spoons and I needed to be alone with Bob, STAT.
It happens to me, and to Bob. We still enjoy entertaining people, albeit not nearly as much as we used to, when we had a larger place, but it's always been tiring, and these days it's even more so. Entertaining people means you have to put your own best foot forward; you have to be on, in order to make sure your guests have a good time, to make sure you're listening to them, to make sure you're not talking too much at their expense, and so much more. And yes, you work hard to present yourself as an excellent host.
It is fucking exhausting. It's fun, but only for a given amount of time. Once that last spoon is gone? It's time to beat a determined retreat.
And that's what I'm about to do. Painkillers and heating pads, ho!
I mean the truth untold
May. 24th, 2025 11:29 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
May Theme - Deep Clean (Final Week)
May. 25th, 2025 04:44 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
2025 May Album Challenge - Teen Wolf: I'm afraid I'm gonna love it just a little too much
May. 24th, 2025 09:01 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Author:
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Fandom: League of Legends
Relationship: Rakan/Sett/Xayah
Rating: Explicit
Warnings: None
Artist: Former Vandal
Album: Honeymoon Haze
Song: Anathema
Summary:
"This is Xayah," Rakan said, raising his voice to be heard over the music. "We think you're hot and we were wondering if we could buy you a drink?"AO3 Link
[Or, Xayah and Rakan meet Sett. Set in the Heartsteel | K/DA universe.]
I don't have the space for fandom anymore
May. 24th, 2025 01:44 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
And also, I've become resigned to the fact that I will never get stories about the characters that I want. That my interests are not anywhere near the interests of the majority of viewers, and because what counts is eyeballs (or reader pages, or whatever) then the characters I love - or the archetypes I want to see - are not going to appeal to most people.
It's a little demoralising, and makes it hard to write.
Not to mention the state of the world is steadily wearing on us all. Not just the AI (fuck AI) but also the world and all it's harms. All the hopeful stories I had for analogues and spin-offs of our world are presently crumbling while watching Ukraine, Gaza, the authority of the current US Administration, the right-wingers, Christian Nationalism - not to mention all the tech issues.
*sigh*
I can't remember if it was John Green or someone else (might have been Hank Green) who said during the 2020 election process that he was hesitating over starting a new book, because a 2nd Trump administration would create a very different world to one in which 45 only managed one administration. He was, as it turns out, exceedingly prescient on that front.
Reading Recap (March-April)
May. 23rd, 2025 09:21 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

Hugo Awards homework for the novella category.
As with the first one in this series, I enjoyed the characters more than the horror plotline, and I don't think it's just because I'm not always that into horror. ( Read more... )

Dramady about being a trans woman in middle America during the run up to the 2016 federal election. ( Read more... )
The Teller of Small Fortunes by Julie Leong, narrated by Phyllis Ho.
I need to stop trying to read cosy fantasy, or possibly cosy anything (except maybe shifter romances). ( Read more... )
The Maid and the Crocodile by Jordan Ifueko, narrated by Adetinpo Thomas.
(Awards homework for the Lodestar.)
So I read this without reading any of the rest of the Raybearer series, and a) it stood alone just fine and I was able to follow everything that wasn't an Easter Egg, and b) if you're interested in the original duology (which I probably have on my e-reader somewhere), I would definitely read that first, as this spoils the majority of the plot for the earlier books. ( Read more... )
第四年第一百三十五天
May. 25th, 2025 09:07 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
儿 part 4
党, (political) party; 兜, pocket/armor; 兛, kilogram (apparently not really in use any more as a single character, but I thought it was neat; see also 兝, 兞, 兡, 兣, all the same radical) ( pinyin )
https://www.mdbg.net/chinese/dictionary?cdqrad=10
词汇
束, beam/bundle; 结束, end ( pinyin )
https://mandarinbean.com/new-hsk-3-word-list/
Guardian:
拿东西。帮个忙,兜里, help me out, get the thing in my pocket
花很美,很香。但终究只是一束花而已, flowers are lovely and fragrant, but in the end they're just a bouquet.
Me:
我的钥匙是在裤兜里。
就算你送给我一百束花,我也不要你。
Daily Check In.
May. 24th, 2025 06:15 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
How are you doing?
I am okay
13 (76.5%)
I am not okay, but don't need help right now
4 (23.5%)
I could use some help.
0 (0.0%)
How many other humans are you living with?
I am living single
4 (23.5%)
One other person
10 (58.8%)
More than one other person
3 (17.6%)
Please, talk about how things are going for you in the comments, ask for advice or help if you need it, or just discuss whatever you feel like.
. . .
May. 24th, 2025 07:10 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I thought it was fine, save for the scrapes, but when I went to bed after the game last night my body let me know that it was worse than I thought. My left leg is bruised quite nicely and my right knee (which was scraped up) was aching. To make it even better, my right ankle - which is the one that I sprained quite nicely about a month ago that's just really properly started to heal - started swelling again a few after I fell. Plus my right knee has also started swelling somewhat today to match the ankle, which is even better.
Luckily, I still have the brace from when I sprained my ankle at the end of April, and I've been trying to soak it as much as possible which seems to be helping some. I'm not worried about it being a fracture this time like I was a month ago, so I'm not wasting the money on a trip to the doctor since there's only so much they can do for a sprain, as many, many, many past sprains have taught me. And while my knee is a bit swollen, it's not bad enough to justify a trip to the clinic on a holiday weekend, at least not yet.
After almost 40 years in this body, you'd think that I would have learned to walk by now. But, no, apparently not. 🙃
UPDATE: Light and Love (Death Mask side story) + Three Lands omnibuses + news
May. 24th, 2025 06:44 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

All of the fiction below is free.
E-BOOKS (html, epub, mobi, pdf, and xhtml)
Law Links: Novel and Side Stories (The Three Lands). Few events are more thrilling in a young man's life than a blood feud between two villages. Or so Adrian thought. ¶ Torn between affection toward his traditional-minded father and worship of his peace-loving, heretical priest, Adrian finds himself caught between two incompatible visions of his duty to the gods. Then the Jackal God sends Adrian a message that will disrupt his world and send him fleeing to a new and perilous life. ¶ Mythic historical fantasy (secondary world, late antiquity). Reissued omnibus, with new front matter and back matter; no changes to the story texts.
Death Mask: Novel and Side Stories (The Three Lands). For eighteen years, he has survived in an army unit where few soldiers live more than two or three years. Now he finds himself in circumstances where his life is a living hell. Will the soldier who defied death find that life is too great a challenge? ¶ Soldiers, spies, slaves, rebels, assassins, gods, and men who set out to break him . . . The Lieutenant of the Border Mountain Patrol will learn that his greatest test is himself. ¶ Mythic historical fantasy (secondary world, late antiquity). New omnibus, with typos corrected and a new novelette:
- Light and Love (Death Mask side story): In a world where two people who love each other must enter into the role of antagonists, what will preserve their love? ¶ Tryphena is a maiden. To her brother falls the responsibility of choosing her husband. ¶ Then war comes, and with it arrive a wise goddess of death and destruction, an enemy soldier of uncertain character, and a masked god who can turn evil into good. ¶ Who will rule Tryphena's heart and conscience? And how can she and her brother prevent war from breaking out between them?
BLOG FICTION
Tempestuous Tours (Crossing Worlds: A Visitor's Guide to the Three Lands #2). A whirlwind tour of the sites in the Three Lands that are most steeped in history, culture, and the occasional pickpocket. ¶ Mythic historical fantasy (secondary world, late antiquity). Latest installments:
- Council Hill.
- The Golden Courtyard.
- The upper floor of the royal residence.
- The lower floor of the royal residence.
( News )
Waterlogged Lake Gregory
May. 25th, 2025 12:00 am![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
FIC: The lower floor of the royal residence (Tempestuous Tours)
May. 24th, 2025 06:08 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The lower floor of the royal residence is guarded at its entrances, for obvious reasons. It houses only servants these days, but in past years, it was fully as active as the upper floors.
Left to right, you will see the former bedchamber of the High Lord, the former receiving chamber of the council, a former service chamber, the former and current royal receiving chamber and dining chamber, and the royal sanctuary. The last requires extended commentary.
Why not loosen your tie for the park?
May. 24th, 2025 03:34 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Because the internet is hazardous to the human condition, within the same five minutes I read some evolutionary psychology on atheism and ran into a reminder of the persistence of ace discourse and experienced a similar resurgence of antipathy. Any discussion of atheism predicated on a framework of faith would always fail to find purchase on me, but even when expounded by a self-identified atheist it grinds my gears to find the state explained only in terms of lack: an inability to imagine, a disaffection with religion, a failure to be socialized to it, a decision against it, all negative paths of arrival, no neutrally variant initial condition. Basically just replicate most of that complaint for discussions of sexuality, since if there is one thing the human species does seem to be majority-wired for, it's sloppy othering. It has occurred to me before that I was shielded from a lot of damage by coming at so-called normality from such an angle that not only did it make too little sense to me to feel aspirational, I didn't recognize for years what much of it was supposed to look like. But I'm also just kind of starting to have it in for the alpha privative. Defining by not still lets the thing it isn't set the terms.
WERS has been playing Jesse Welles' "Horses" (2025) on a near-daily basis for weeks now and because I too belong to this conflicting species, I feel that generally I agree with its message of letting go of self-defeating hatreds and divisions in the bigger picture of stellar time and at the same time the government of my country is pursuing policies of active harm to just about everything which seems to limit the degree to which I should be reasonably expected to let down my guard. Now I suppose I get to worry that finding a popular folk song naive means I have just flipped into the last verse of "Love Me, I'm a Liberal."

Maral Agnerian Receives 2025 ICG Lifetime Achievement Award
May. 24th, 2025 08:04 pm![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
San Francisco and Back, dog class.
May. 24th, 2025 12:07 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
It was SO nice to work with someone who is used to moving heavy things, and does it regularly. We loaded his truck with my four items, plus a couple of other things that were bulky. My car was filled with dust collection pipe, and the first load of things like clamps and wood stains. Also some boxes of folk music on CD's. Wood and some PVC pipes were on top. Driving north took 4 hours to do a trip that normally takes 2 hours. Miserable. Mike stayed the night rather than drive back last night. We had a nice visit.
My friend Kim had booked herself, and her new pup Twix, for a dog training class. Twix is a 6 year old, tiny Jack Russell Terrier, who is just sweet. Kim really wanted me to come to the class with her. Of course the class was this morning. The instructor supplied a 2' square mat, and a chair for each of the 6 human/canine teams, spaced around a warehouse room. She went over basic commands: place (the mat), sit, down, stand, off, look (at me) and leave it. She stressed that dogs are visual learners. She showed how to use a treat to help position the dog. Chena was majorly distracted by Other Dogs. Over all though Chena was by far the best trained dog in the room and did keep reasonably good focus. The two new commands for us; "Look" and "Stand" were challenging. I've been struggling to teach Chena "stand". The instructor said: start with the dog sitting take a treat in front of your dog's nose and move it forward. Sure enough this method was very clear to Chena and she stood. Sadly I won't get to next week's class, I'm off judging in Martinez, but will resume for the final two.
Ok, time to go unload the last things from the car.
How to Make a Mosquito Bucket of Doom
May. 24th, 2025 04:02 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
1) Fill a bucket with water and put it outside.
2) Add a handful of grass to make carbon dioxide which will attract more mosquitoes.
3) There are two options to kill the resulting larvae.
-- Dump the bucket weekly and refresh the trap with new water and grass.
-- Add a mosquito dunk, which lasts about a month. Replace whenever it sinks or dissolves.
Also, make sure there are no other pockets of still water to attract mosquitoes elsewhere in your yard. Every bit that you can find and remove is one less mosquito nest.
TOS Spotlight: Ratings & Warnings
May. 24th, 2025 07:55 pm![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
The Policy & Abuse committee (PAC) is responsible for enforcing the AO3 Terms of Service (TOS). To help users better understand the TOS, we’re posting a weekly spotlight series about the TOS and our policies. We’ll also be reading comments and answering questions on this and our other spotlight posts.
AO3 is a home for all fanworks and operates under the principle of maximum inclusiveness of fanwork content. We allow content of any rating, and all kinds of fictional topics, as long as the creator provides basic information about the intensity and type of content that may be present in a work.
PAC handles many different types of TOS violations, including incorrect ratings and Archive warnings. In this post, we’ll discuss the requirements for ratings and warnings as well as provide information on how to report works with incorrect ratings or warnings. We do our best to investigate every report, but incorrect ratings and warnings can take us a very long time to investigate if the report doesn’t contain enough information.
Don’t go looking for things to report.
Please do not start searching for works with incorrect ratings or warnings to report after reading this post. We know that these kinds of TOS violations are a problem on AO3. However, when people deliberately search for works to report, we end up getting a lot of duplicate tickets about works that have already been reported. Every ticket we receive is reviewed by a PAC volunteer, so we only need one report in order to investigate an issue. We know it seems like sites only respond to mass reports, but on AO3, duplicate and mass reports increase the time it takes our volunteers to investigate.
Ratings
All works on AO3 must have a rating. Creators can either select a specific rating (“General Audiences”, “Teen and Up”, “Mature”, or “Explicit”) or opt out of providing a specific rating by applying the non-specific rating “Not Rated”.
Our TOS divides ratings into two tiers: ratings that will trigger the Adult Content notification (“Mature”, “Explicit”, or “Not Rated”), and ratings that won’t (“General” or “Teen”). When you click on a work rated “Mature”, “Explicit”, or “Not Rated”, a banner will warn you that you’re about to access a work that may contain adult content. By selecting the “Yes, Continue” button on the banner, you are agreeing to access a work which may contain adult content. Registered users can disable this notification, which is enabled by default on new accounts.
Works rated “General” or “Teen” are not subject to this notification system. If a work rated “General” or “Teen” contains explicit content that you believe should trigger the Adult Content notification, you can report that work to PAC, and we will investigate whether that work needs to use one of the three higher ratings.
However, PAC doesn’t make any distinctions within these two tiers. This means that we won’t require a work rated “General Audiences” to be changed to “Teen and Up”, and we won’t require a work rated “Mature” or “Not Rated” to be changed to “Explicit”, or vice versa. We defer to the work’s creator(s) for those decisions: the only part we enforce is whether or not the work needs a rating that triggers the Adult Content notification.
Archive warnings
There are four specific Archive warnings: “Underage Sex”, “Rape/Non-Con”, “Graphic Depictions of Violence”, and “Major Character Death”. Any work on AO3 that contains content relating to one of the four specific Archive warnings must be tagged with either that warning or the non-specific “Creator Chose Not To Use Archive Warnings” label.
Creators can always Choose Not To Warn.
The “Creator Chose Not To Use Archive Warnings” (CNTW) label is a blanket warning. It means “Read at your own risk!” or “This work may contain any of the four specific Archive warnings.” If you don’t want to encounter content depicting underage sexual activity, rape/non-consensual sex, graphic violence, or major character death, then you should not click on works tagged with “Creator Chose Not To Use Archive Warnings”.
When you post a work, you can use the CNTW label if you don’t want to apply a specific Archive warning. For example, if you don’t want to spoil a plot twist by adding a “Major Character Death” warning, you can instead apply “Creator Chose Not To Use Archive Warnings” to your work. You can also apply a combination of CNTW and other Archive warnings. If your work contains rape and a major character death, and you want to warn for the former without spoiling the latter, you can label the work with both “Rape/Non-Con” and “Creator Chose Not To Use Archive Warnings”.
If you don’t Choose Not To Warn, then you may need to add a specific warning.
As mentioned above, you can always opt out of applying Archive warnings by instead selecting “Creator Chose Not To Use Archive Warnings”. If you do not select this label, then in the following circumstances, you must use one or more of the four specific Archive warnings:
The “Underage Sex” warning is required on works that depict or describe sexual activity involving characters under the age of eighteen (18). We don’t consider dating activities, like kissing, to be sexual content. Offscreen sexual content also doesn’t need a warning.
For characters that are underage in canon, we do not automatically assume (without evidence) that they are also underage in the fanwork. If there are no indications that a particular character is under 18, we will assume they are 18 or older. When evaluating works, we consider explicit statements of a character’s age as well as contextual clues (such as the work being clearly set in a time period where the character is underage). If you’re worried that a character in your fanwork may be misinterpreted as being younger than 18, you can always specify the character’s age in the tags, notes, or body of your work.
The “Rape/Non-Con” warning is required on works that depict onscreen rape or non-consensual sex. If the work only contains a reference to non-consensual sex, then we don’t require this warning to be applied. Additionally, there are circumstances that are not considered consensual in real life, but don’t necessarily require the “Rape/Non-Con” warning on AO3. For example, we don’t inherently require a “Rape/Non-Con” warning for adult/minor relationships (though we might require “Underage Sex” or CNTW). We also do not require a “Rape/Non-Con” warning for situations that are dubiously consensual, such as the Sex Pollen or Fuck or Die tropes. When in doubt, we defer to the creator’s judgement.
Similarly, the “Graphic Depictions of Violence” warning is only required if the work contains graphic violence that is explicitly shown “onscreen” in the work.
We require “Major Character Death” when the character is both a major presence in the fanwork and they’re dead by the end of the fanwork. We don’t take canon into consideration here – what we’re interested in is whether the character is a major presence in your fanwork. If you create a fanwork centered on a character that dies and stays dead in your work, that work should be warned for “Major Character Death” even if they only appear for one line in canon. If that same character dies before the start of your work, and dealing with the grief of their loss is a major part of the fanwork, “Major Character Death” is also required in this situation.
If your work features a character death and that character returns in a later chapter that is currently posted, then this warning is not required. However, if the character does not return to life until a sequel fanwork, the warning is still needed on the work in which they died. Archive Warnings apply to individual fanworks, not to series of works.
“No Archive Warnings Apply” may coexist with other warnings.
There is also a sixth label in this category: “No Archive Warnings Apply”. The best way to think of this Archive warning is as a placeholder. If “No Archive Warnings Apply” is the only Archive warning on a work, then it means that the work should not feature underage sex, rape/non-consensual sex, graphic violence, or major character death – or if it does contain such content, it is only a brief reference.
However, the “No Archive Warnings Apply” label can be present on a work that is also labeled with any or all of the other five Archive warnings. In that case, the other warning label always takes precedence. PAC never removes any Archive warnings already on a work. We only add the “Creator Chose Not To Use Archive Warnings” label to the work if it’s missing a required warning.
For example, some users may apply a “Major Character Death” warning and a “No Archive Warnings Apply” warning in order to emphasize that while the work may contain Major Character Death, it doesn’t contain any of the other warnings. The presence of “No Archive Warnings Apply” does not negate the “Major Character Death” label on the work – a major character death may still occur in this work.
If both “No Archive Warnings Apply” and “Creator Chose Not To Use Archive Warnings (CNTW)” are applied to the same work, then the CNTW warning is what takes precedence, and the work may contain content relating to any of the four specific Archive warnings. Some users may apply both the CNTW label and the “No Archive Warnings Apply” label for ambiguous situations, or to emphasize that while they don’t think the work contains something that needs a warning, it is open to interpretation. However, you should not assume anything about a creator’s intentions or the severity of content in the work – consider works warned with both CNTW and “No Archive Warnings Apply” the same way you’d consider works tagged with only CNTW or any/all of the specific Archive warnings.
We generally defer to the creator’s judgement.
For borderline cases, PAC will defer to the creator’s judgement. However, if we feel that a work depicts content clearly requiring one of the four specific Archive warnings, we’ll require the creator to either add the warning or opt out by applying the “Creator Chose Not To Use Archive Warnings” label.
Can I use Additional tags instead of Archive warnings?
Sometimes users include warnings in the Additional tags of their work. If the content is merely a reference or offscreen, this is fine. However, for any content requiring an Archive warning, the label must also be added in the Archive warnings category. For example, while you are welcome to include an additional tag of “rape” on your work featuring a rape scene, you still need to apply the “Rape/Non-Con” Archive warning (or CNTW).
Why does AO3 have only four required Archive warnings?
AO3’s warning system is deliberately minimal. When AO3 was created, these four warnings were chosen as a balance between the most common types of content that users wanted a warning for, and what would be feasible for PAC (a small team comprised entirely of volunteers) to enforce in a consistent and fair manner. We know that there are many other kinds of content that you might not want to see, so we encourage you to check out the additional tags, summary, notes, and bookmarks of a work before opening it. However, PAC will not enforce the use of tags or warnings beyond what is required by the TOS.
It’s what’s in the work that counts.
When it comes to ratings and warnings, we evaluate what is in the body of the work. If an author says in their notes that they plan to include explicit sex eventually, but the only chapter posted is a fluffy introduction with no explicit content, then we will not require that the work be given one of the higher ratings. Similarly, if a work carries an additional tag of “X dies at the end” but nobody actually dies in the work, then we will not require a “Major Character Death” warning.
Because of this, please do not report works based on what is in their additional tags or summary. Many creators may have begun works and added additional tags or notes based on their plans for future updates, but plans change, and not all works in progress are completed. Please only report works to us when there is actual content in the work itself that necessitates a rating or warning change.
Ratings and warnings are not promises.
AO3’s warnings and ratings both mean “may contain”, not “must contain”. If you want to rate your fluffy, non-sexy slice-of-life as “Explicit”, you’re allowed to do that. A higher rating means that a work may contain explicit content, not that it must contain such content. Similarly, if you want to warn for “Major Character Death” even though nobody has died, you’re allowed; we don’t ever make someone remove a warning.
What will happen if I get reported for having an incorrect rating or missing warning on my work?
First, we’ll review your work to confirm whether or not your work’s rating and/or warnings are insufficient. If we determine that the rating or warnings need to be changed, we’ll send you an email notifying you to update your tags.
We’ll only ever contact you by email, and only after we’ve already reviewed your work and confirmed that the current rating and/or warnings are insufficient. We will never comment directly on your work or contact you through social media. Please make sure to keep your account’s email address up to date and check it regularly (including your spam folder), or else you may miss our email.
If you don’t update your tags, we’ll change them. For an incorrect rating, we’ll set the work to “Not Rated”. For a missing warning, we’ll add the “Creator Chose Not To Use Archive Warnings” label to the work. We won’t remove any of the warnings that are already on the work.
We don’t ever delete works for having insufficient warnings or ratings. While we do require all works to have appropriate ratings and warnings (as specified in the TOS), it is very rare for us to apply any penalties to a user’s account for insufficient ratings or warnings. We would usually only penalize a user if they undo changes we made or required them to make. A user may also receive a penalty if they repeatedly mislabel their works even after being contacted about similar violations, or for the purposes of harassment.
What should I do if I encounter a work that has the wrong rating or a missing warning?
You can give the creator a heads up by politely commenting on their work and linking to the TOS FAQ or this post. Alternatively, you can report the work to us.
How do I report a work with the wrong rating or missing warnings?
Although we ask that you do not deliberately seek out incorrectly tagged works to report, if you come across a work with the wrong rating or missing warnings while browsing, you can report it using the Policy Questions & Abuse Reports form, which is linked at the bottom of every page on AO3.
Please don’t report more than one user at a time or submit multiple reports about the same user. When reporting multiple works by the same user, please submit only one report with links to each work you’re reporting, so that all information about that user is in the same place.
Please tell us exactly where in the work the content requiring the higher rating or warning is. The best way to do this is to give us a short quote from the relevant scene that we can search for in order to immediately find the content. If you are reporting multiple works by the same creator, please group all the works into one report and provide this information for each work.
If the rating or warning issue pertains to a specific character, please tell us the name of that character as used in the work. If it’s Bert who died, please tell us it’s Bert, so that we don’t spend time trying to figure out if it was Ernie (who was only badly wounded). If you are reporting a missing “Underage Sex” warning, please tell us exactly where the underage sexual content occurs and where the indication of the character’s age is. As a reminder, if there are no indications that a particular character is under 18, we will assume they are 18 or older.
Rating and warning issues can take a lot of time for us to investigate if we’re not given clear information about where the violation has happened. PAC will not act unless we’ve confirmed a policy violation ourselves. If we’re sent a report about a work that is 80,000 words long and the report only says “contains rape”, we have to confirm that there is a rape scene somewhere in those 80,000 words before requiring a “Rape/Non-Con” (or CNTW) warning. If we can’t find it easily, the most likely result is that we’ll reply to you asking you to give us more info – and if you don’t, we’ll close your report with no further action. So please make sure to include as much information as possible when submitting a report.
For example, a report of a work with an incorrect rating might look like this:
Link to the page you are reporting: https://archiveofourown.org/works/00000000
Brief summary of Terms of Service violation: Incorrect rating
Description of the content you are reporting:
This work by USERNAME is rated G but it’s entirely smut from the very first sentence.
If you are reporting additional works, please include all relevant links and other information in your report description:
Brief summary of Terms of Service violation: Incorrect ratings and warnings
Description of the content you are reporting:
This work by USERNAME is rated G but it’s entirely smut from the very first sentence.Some of their other works also have the wrong rating or warning:
https://archiveofourown.org/works/23456789 is rated T with No Archive Warnings Apply, but it has underage sex onscreen. CHARACTERNAME is 17 (in chapter 2 it says “after his seventeenth birthday party three weeks ago”) and has sex in chapter 4 (starting at “He stepped closer, leaning in…”)
https://archiveofourown.org/works/34567890 has the main character CHARACTERNAME die at the end (search for “She gasped in horror”), but the work isn’t tagged with Major Character Death or Creator Chose Not To Warn.
You can add more details if you like, but this example provides the basic information we need:
- Who posted the incorrectly tagged work(s): Tell us their username or if the work is anonymous or orphaned.
- Where we can find the work(s): Enter one URL in the “Link to the page you are reporting” field, and (if applicable) include links to any other violating works in the description of your report.
- What violates the TOS: Explain why you think the rating and/or warning(s) on each work you’re reporting are incorrect, for example by including a quote from the relevant scene(s). A brief description of the work is fine; you don’t need to be very detailed or quote an entire TOS or FAQ section.
You’ll receive an automatic email confirming that we received your report, and our volunteers will investigate when they get a chance. Please be patient and do not submit another report about the same work. While PAC investigates every report we receive, it can take several months for us to process a report, and not every report will receive a reply.
What if I have more questions about ratings and warnings?
PAC follows a strict confidentiality policy. Therefore, while you are welcome to ask general questions in the comments of this post, we will not give information on specific cases, publicly rule on a work, or update you on the status of a report you have already submitted. Comments on this post that discuss specific works or users will be removed.
If you think you’ve found a work that’s incorrectly rated or missing a warning, or if you want to know whether a particular scene requires a specific rating or Archive warning, please report the work to us as described above. For more information, you can read our TOS FAQ on ratings and Archive warnings.
If you are still uncertain, you can comment below or submit a question through the Policy Questions & Abuse Reports form.
Justice League of America #243
May. 24th, 2025 09:25 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Writer: Gerry Conway
Pencils: George Tuska
Inks: Mike Machlan
Aquaman puts Mera down long enough to realise that he should probably go and help the rest of the Justice League.
( Read more... )
Serving Kant.
May. 24th, 2025 07:47 pm![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
Dave Wilton of Wordorigins.org has a Strong Language post about a notable development in sweary singing:
It wouldn’t be the annual Eurovision Song Contest without some sort of controversy. Most years the controversy is political in nature. The 2025 contest was no different in this regard, but in addition to the usual political rhubarb, this year’s contest saw a dispute over a certain four-letter word in lyrics of one of the entries.
The song in question was Malta’s entry in the contest: “Serving,” originally titled “Kant,” performed by Maltese singer Miriana Conte and written by Conte, Benjamin “BNJI” Schmid, Sarah Evelyn Fuller, and Matthew “Muxu” Mercieca. The song was released in January 2025.
The chorus features the phrase “Serving kant,” and Dave explains:
Kant, the only Maltese word in the otherwise English-language song, means singing in Maltese, and the word is descended from the Latin cantus, meaning song. The aural similarity to the the English word cunt is obvious, and the phrase serving cunt is ball culture slang meaning to be simultaneously bold, confident, and feminine, a quality that Conte exudes in her performances. (Ball culture is an African-American and LatinX LGBTQ+ subculture with antecedents that date back to nineteenth-century drag balls.)
The song is an anthem of feminine power, and the pun is quite clearly intentional.
Sadly, Mrs. Grundy intervened:
After complaints from the BBC Radio, which by UK regulations could not broadcast the word cunt before 9 pm, the European Broadcasting Union (EBU) required the lyrics be changed. Conte reluctantly complied, changing the title of the song and replacing the lyric kant with aahh.
At any rate, I’m glad to have learned a pungent new phrase.
Doctor Who today and yesterday
May. 24th, 2025 08:24 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I think I'll withhold judgement until next week though. How the whole thing works depends on what he does with the ending. Nicely done so far but who knows.
I will say though it is the most RTD thing to make *that* earlier episode turn out to be important. So I rewatched ( Read more... )
Also listened to this week
Susan's War 3, Grandfather Time: more Time War stories, this time with the guy who doesn't want to be called The Doctor but thankfully for the writers will still answer to Grandfather.
I liked these two. Sending Susan on diplomatic rescue missions suits her. And this one of her grandfather has an extra edge to his actions, which compare contrasts interestingly to his earlier self who was still refusing the war after Susan had signed up.
( Read more... )
These Susan's War stories give her plenty to do and I like that.
After the Daleks, a Doctor Who Early Adventure, picks up Susan's adventures when she was still trying to get into the TARDIS that last time, then keeps going until she actually chooses for herself from a number of available options. It does a lot of good stuff with the setting, not just the immediate leftovers of the Dalek invasion but politics and bad guys stoking hate of aliens just to win an election. It would be really nice if that story was never timely.
Susan and Jack have a lot in common, and it would be interesting for them to have a conversation about it. Also, Jack would get to the relevant era on the slow path, which is actually pretty worrying when you think they'd still have to wait for the Doctor to fix things. Except Jack is from after the Time War and we're only sure Susan was there Before. What that whole era looks like After the Time War is still a question.
But Jack got left behind and according to Big Finish ended up in the historical record in such a way you have to wonder if a conscientious time traveller had to leave him there. And Susan does something here that would put her on the record right away. So, interesting.
I continue to like Doctor Who, so that's nice.
4x07 …but to connect
May. 24th, 2025 09:18 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Chester Weekend
May. 24th, 2025 07:49 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Last weekend, the stars aligned a little bit - trans gym was cancelled because our trainer was doing the Great Manchester Run with their kid, and I realised it was the last weekend before school half term takes us into June, both of which make going anywhere more expenses. So I did some shopping around and found a place to stay in Chester on Vrbo for me, E and V. We'd been talking about going away just the three of us since Gary died, but this is the first time we actually managed it between other commitments, lack of spoons etc.
The place was just a terraced house in Hoole, outside the city centre. It clearly once housed chronic smokers, because all the modern renovations hadn't quite rid it of the stale smoke smell. It wasn't a problem for us at least. We settled down with Korean burgers takeout and had a fairly early night.
On Saturday we went into Chester for lunch. Chester has two car parks which are only for Blue Badge holders, one of them right behind the Cathedral, so I parked up there. The weather was glorious. V was in their powerchair, and we pottered around a bit, finding some cute tchotchkes at an indoor market and exploring the multi-layered city centre. Outside the town hall, we found Ed Alleyne-Johnson of New Model Army busking. It was great to hear him play! We found a nice restaurant, Cosy Club, with outside seating. The food was great, our waiter was a lovely ebullient twink, and we saw many good dogs. Afterwards we had a proper explore of Chester Cathedral, investigating the artwork and the exhibitions and the architecture. On Saturday night we watched the last episode of The Residence, a White House comedy murder mystery which we've been enjoying together, with Greek takeout.
Sadly on Sunday morning V wasn't feeling well enough for Chester Zoo, so instead we headed home slowly via the back roads, stopping near Lymm to admire a canal. We went to a Cheadle garden centre for a nice lunch and several plants for the garden.
Still, it was a lovely weekend. Very tiring but so nice to get away.
Dynamic Philology
May. 24th, 2025 05:47 pm![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
After this work, George Kingsley Zipf seems to have turned his attention towards issues generally covered in fields such as sociology and psychology: National unity and disunity: The nation as a bio-social organism (1941), "The P1 P2/D Hypothesis: On the Intercity Movement of Persons" (1946), and Human behavior and the principle of least effort: An introduction to human ecology (1949).
A .pdf of the whole 1935 book is here, all 336 pages of it — but you might want to start with the (22 pages of the) Preface and Introduction. The Introduction begins like this:
DYNAMIC PHILOLOGY has the ultimate goal of bringing the study of language more· into line with the exact sciences. To this end it views speech-production as a natural psychological and biological phenomenon to be investigated in the objective spirit of the exact sciences from which its methods have been taken. Our chief method of procedure is the application of statistical principles to the observable phenomena of the stream of speech.
In this introductory study our primary aim is the observation, measurement, and, as far as it is possible, the formulation into tentative laws of the underlying forces which impel and direct linguistic expression. Our first interest will be in the relationship which exists between the form of the various speech-elements and their behavior, in so far as this relationship is revealed statistically. The findings which result from this initial interest may be viewed as dynamic laws of speech with general applicability, though they are offered, of course, subject to future corrective experimentation. These dynamic laws can presumably be similarly demonstrated from the material of any known language.
Our second interest will be to relate the above dynamic laws with the familiar phenomena of meaning and emotional intensity which have generally proved elusive to direct quantitative analysis. The findings resulting from this second phase of our investigation may be taken only as inferential conclusions; their validity can be apprehended against the general statistical background of the dynamic laws, yet the conclusions themselves can probably never be established numerically because of the nature of the phenomena involved.
The uptake for this book among linguists was far from entirely positive, as illustrated by this passage from Martin Joos's 1936 review in Language.
In the present volume Zipf embraces the whole range of linguistic study and phenomena, from phonemes to 'the stream of speech and its relation to the totality of behavior'. Apparently nothing remains untouched within that range, and the treatment almost uniformly evidences a belief that the author has attained valid formulations. Further, the book is subtitled 'An Introduction to Dynamic Philology', and to judge from the text this means a comprehensive survey of an established science written by an adept. We may therefore take the book for a complete though perhaps not the definitive presentation of Zipf's doctrine, and consequently believe that this is a proper time and occasion to attempt a critique of that doctrine, of its substantiation, and of its application.
The thesis, very briefly stated, is that the key to the explanation of all synchronic and diachronic language-phenomena has been found in a statistically established tendency to maintain equilibrium between size and frequency. Previous critics found the conclusions rash and largely improbable; they placed the blame partly on the introduction of a new technique into linguistic study. If they conceived an unjustly harsh opinion of statistical method in linguistics, the mistake was a natural one, for there was no one to warn them where statistics left off and explanation began except Zipf himself. As the matter now stands, neither the usefulness of statistical method in linguistics nor the value of Zipf's daring and ingenious explanations can be properly appraised, for they have not yet been separated. The separation and the separate appraisals will be the subject of this paper.
For a more recent (and more generally positive) appraisal, see Charles Yang, "Who's afraid of George Kingsley Zipf? Or: Do children and chimps have language?", Significance 2013.
As background for the use of "philology" in Zipf's subtitle, a Google Books Ngrams plot shows that in 1935 "philology" had fallen from its peak in 1875, but "linguistics" was just starting its rise:
There's much more to say, about methodology as well as terminology and personalities, but that's enough for now.
The Red Queen’s Race
May. 24th, 2025 01:06 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Someone filed another amendment, bringing my Amended docket up to three cases. I’ve been working on the earliest files of the three, and hope to finish it today, and get it posted. We notoriously lazy government bureaucrats sometimes need to work unpaid overtime on weekends and holidays in order to meet our production quotas. I also got two cases on my Expedited docket this week, one of them being an After Final amendment, and the other a printer’s query pointing out errors in an Allowance of mine, leading me to churn out a Corrected Notice of Allowability. I did what was needed, and have cleared my Expedited docket.
I have two oldest Regular New cases, a truly new one, and a Request for Continued Examination case. I hope to do the RCE quickly, and then work on the entirely new application. I also have two interviews with patent attorneys scheduled for next week. Then there is a case on my Regular New docket that doesn’t belong there (not in my field), so I spent some time this past week communicating with people, and finding a home for it. I will now officially do a C star challenge to get it docketed to someone in a different Technology Center.
Hawkworld #5
May. 24th, 2025 05:36 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Writers: John Ostrander and Timothy Truman
Pencils: Graham Nolan
Inks: Rich Burchett
Byth hires Shadow Thief to steal the Thanagarian ship.
( Read more... )