2026.02.27

Feb. 27th, 2026 11:08 am
lsanderson: (Default)
[personal profile] lsanderson
ICE

ICE won’t be at polling places in 2026 election, Trump administration official says
Election officials had feared that federal agents would interfere with the 2026 midterms, even though federal law prohibits armed troops at polling places.
By Nathaniel Rakich, Votebeat
https://www.minnpost.com/elections/2026/02/ice-wont-be-at-polling-places-in-2026-election-trump-administration-official-says/

Will Trump try to seize voting machines to disrupt the midterm elections?
State election leaders have been raising concerns about the intent behind Trump’s recent moves on elections
George Chidi in Atlanta
https://www.theguardian.com/us-news/2026/feb/27/trump-voting-machines-midterm-election

Minnesota nonprofits are in a race to distribute millions in mutual aid to tenants facing eviction
State lawmakers are considering a bill to expand which nonprofits can issue eviction-blocking letters assuring landlords that money is on the way.
by Shadi Bushra
https://www.minnpost.com/state-government/2026/02/minnesota-nonprofits-are-in-a-race-to-distribute-millions-in-mutual-aid-to-tenants-facing-eviction/ Read more... )
[syndicated profile] smbc_comics_feed

Posted by Zach Weinersmith



Click here to go see the bonus panel!

Hovertext:
You should've seen the look on your face when you thought you'd gotten your mom killed!


Today's News:
beatrice_otter: Ah, arrogance and stupidity all in the same package.  How efficient of you! (Arrogance and Stupidity)
[personal profile] beatrice_otter
I never actually posted my Yuletide fic here, and it's almost March. Way behind. But anyway, I had fun with it, so enjoy!

Title: What Abigail And Ione Did That January
Author: [personal profile] beatrice_otter 
Fandom: Rivers of London
Characters: Abigail Kamara/Ione Seaton, Thomas Nightingale, Peter Grant
Written For: Chrome in Yuletide 2025
Summary: Ione comes down for a visit after Christmas. But a quiet visit is not in the cards when there is a missing persons case to be solved.


I am standing in Euston Station, and it's even worse of a madhouse than I expected it to be. But I'm so excited I'm not even bothered by the crush of tourists with roller bags who seem determined to run me over as they dash to catch their trains. Ione is coming, and though we've talked on the phone almost every day, it's been months since we said goodbye in Scotland.

I want to know if she smells as good as I remember. I want to know if her skin feels as good as I remember. I'm almost afraid I've built her up, in my head, to such a peak of perfection, that I'll be disappointed to see her again and find she's just a girl.

But if I were going to let my fear control me, I wouldn't be a wizard now. I'd never have survived the house on Hampstead Heath, or the Robinette kidnapping, or the wyvern up in Glasgow. And I'd never have gotten to kiss Ione. )

Work is At It Again!

Feb. 27th, 2026 04:28 pm
spindizzy: Raven looking PISSED AS FUCK. (Oh now I'm pissed)
[personal profile] spindizzy
Because of course they are. Due to Brilliant Financial Decisions that I can't get into without doxxing myself, work are making some changes. Some of them I can understand; they're standardising opening hours and want shift patterns to line up with each other, cool, that makes sense. Some of them though... Yeesh. Their ideal situation that they're working towards includes but is not limited to:

  1. No full-time contracts, and a hard limit of 25 hours a week max. (Lunch breaks are inconvenient, and if we only work a five hour shift we don't get a break.) Also, no one will need to work extra hours because we'll be fully staffed – ignore every other time we've said that, this time we mean it!

  2. No home libraries; everyone is part of a pool and assigned two or three libraries per week to work at.

  3. No overlap between shifts, so no proper handover between shifts (because why would we need that?).

  4. "We heard your complaints that there's no job mobility that isn't becoming a manager, so we created more manager positions! ♥"

  5. Two fewer libraries in the network – one of them is closing entirely, and one is full of valuable and delicate material so we're going to leave it open and completely unstaffed.

And when people raised questions and objections, they were told "Well, you can always leave."

... Aight, bet.

Now I'm waiting to hear back from one library job, and I've got three other applications to get in by close of play on Monday. ¯\_(ツ)_/¯

For bonus points: we were all assigned a mandatory meeting with one of our great-grandbosses to discuss the changes and ask any questions. Me being me, I sent him an email before the meeting with all of my questions so that we had an agenda and he could prepare answers! (ʘ‿ʘ🌺) He told me a lot of things, most of which did not answer my questions, and I sent him a summary of his answers and the questions I would still like answered. (ʘ‿ʘ🌺) I think each email was two pages each, front and back, and I need you all to understand the peak comedy of his reply: "Had a quick read, that looks right, hope it helped you."

I do literally hours of writing relevant and appropriate questions, checking my recording, summarising your useless responses, checking FAQs, and your response is "Hope it helped you."

(ʘ‿ʘ)ノ🌺

Met with my line manager on Thursday and accidentally cried at her, because I sent her copies of my messages and her response was "I can tell you really care about this job and your colleagues." Turns out I wanted someone to acknowledge that? I'm not being awkward for the sake of it, I'm being awkward because I want to keep doing my job! She also suggested that I send my questions to Other Great-Grandboss to get actual answers, but only after I revise out some of my... Expressions of frustration... Because Other Great-Grandboss will actually read them, and it won't help me get my answers. But god, I just – I'm irrationally convinced that somehow I can find the magic words to convince the bosses to fucking listen to us and understand why people are upset. I can't, but what if I could.

... Anyway, that's what's going on with me right now. I'm going to cross stitch Pokémon and watch other people play the new Resident Evil game because hahahahaha NO I AM NOT PLAYING THE GAME WHERE SOMEONE STALKS ME IN THE DARK. NO THANK YOU.

Crafts - February 2026

Feb. 27th, 2026 03:19 pm
smallhobbit: (Morris cross stitch)
[personal profile] smallhobbit
Plenty more stitching this month:

mount_oregano: Let me see (judgemental)
[personal profile] mount_oregano


As you know, an emotional support animal is a companion that provides support to human individuals for a mental, psychiatric, or emotional disorder. These are often typical pet animals like dogs and cats, although other creaturesincluding plants — can improve your mental health.

Plants require a role reversal, though.

Animal companions for humans rarely get training, but you must train yourself to provide effective emotional support for plants. First, you must overcome plant blindness and see them as living beings. Then decide if you plan on supporting outdoor or indoor plants: gardening, rewilding your lawn, or sustaining indoor plants in pots?

If you already have plants, what kind do you have? Apps like Picture This and its website, Pl@ntNet, or guided observation and keys can help. Find out what that particular plant needs for warmth, light, and watering, and consider what you can offer.

Common houseplants are often jungle undergrowth plants, and your living room probably resembles a jungle floor in light and warmth — but check. Every plant has a niche, and it will suffer stress outside that niche. A cactus leads a very different life than a pothos, and small plants need more frequent care, sometimes daily, than big plants. Your first emotional support duty is to gauge your ability to minimize the plant’s stress.

“Moist” is a universally challenging concept when it involves soil, yet you must master it.

When you care for your plant, you will benefit both the plant and yourself. As you provide regular, attentive care, you may improve your own self-care. After all, you get by giving, and you learn responsibility by being responsible.

As the support animal, you will be rewarded by beauty and quiet companionship, and you will have created a supportive environment for the plant — and very possibly for yourself. Are you ready to change your life?


[syndicated profile] milesent_feed

Posted by milesent

The abuse we suffered hardest in many ways was hunger. Reportedly our mom once said that she had to go out to eat because if she stayed home she would’ve had to watch her children being hungry. I do hope the adults listening to her were all thinking “Instead of going out to a restaurant, why didn’t you spend that money on a loaf of bread and a jar of peanut butter so your children wouldn’t starve?” At least I hope it didn’t elicit the sympathy she was hoping for.

When we would go into Painesville for court dates (Divorce and then custody battle) it was a particular agony. First because it was boring. Marie and I spent the entire day on a hard wooden bench in the court house waiting area with no entertainment beyond the limited value of the water cooler and riding the elevator up and down. No TV in the waiting area in those days, no magazines either. Second because we always went to McDonald’s for breakfast first. Sounds nice, huh? Not really. Marie and I were allowed to get either a hash-brown or a child-size orange juice. Marie always picked the orange juice (because she figured it had vitamins) and I always picked the hash-brown (because I figured it was more filling.) In general it wasn’t enough food or nutrition to do more than wake up our appetites. And as slow as we tried to eat, we always finished way before Mom and had to sit there and watch her consume her big breakfast. What torture. Hot cakes with butter and syrup, hash-brown, bacon, sausage, toast, coffee and orange juice. Sometimes she didn’t even finish it and would throw away the leftovers as we watched, horrified, but too afraid of her to dare ask if we could finish it.

This did happen more than once, though Marie found more pain in the time our Aunt Joyce gave us each $10 (a princely sum!) and on the way home Mom had one of us pay for gas (I even “got” to pump it, wasn’t that special?) and the other buy her lunch in a dinner. Again, Mom got a full meal and Marie and I mostly munched on the oyster crackers that came with her soup and watched her eat it. Mom was very happy with the $20 she got from us. We were hungry and just as poor as before, alas. Though we were still grateful to Aunt Joyce for the attempt. (Aside from my womb-mate; “You do know that’s the only reason she ever took us to see Aunt Joyce, right?”)

Mostly I remember sitting around our house, alone, with nothing to eat. Trying to take my mind off of my rumbling tummy. Drinking lots of glasses of water to try and fill the empty space somewhat. Meal times were the worst, and if you could get through them the hunger would abate a bit and just be a sort of dull ache. For my painting about hunger I chose to paint ripping the margin off of a book… I would do that. Reading a paperback we owned, carefully removing bits of the margin paper to eat it as I read. Bits of paper weren’t very filling, but they were better than nothing.

I know our Mom was/is mentally ill. She would say things like “you don’t really need to eat. You can go without it.” and she meant it. She was wrong, obviously. You would have to be mentally ill to not care about a child starving in front of you.

“How can I paint how hunger feels?” Oil on canvas, 2021

(no subject)

Feb. 27th, 2026 02:51 pm
turps: (DR-Mikey)
[personal profile] turps
The other day I got excellent mail from [personal profile] misbegotten, thank you so much! ♥

Class wasn't on this week, and isn't on next week either, yet again cancelled via the main Friday newsletter and not Rosie herself. I really hope she's okay, and more selfishly, that she's back asap. I'm missing my routine, and my friends from class.

It was the first craft fair of the year last Saturday, but sadly it was a bust with all of three sales totalling £7. A profit that was quickly reversed by the £15 table fee, two cups of coffee and a toastie for £4, two goes at the cat rescue tombola for £2, two strips of raffle tickets for £2 -- though we did win a very cool 3D printed elephant from that -- and Bodhi and Kayleigh calling in to see us, which resulted in me buying Bodes a Stitch cup for £5. So yeah, that £7 didn't last long.

But, on the plus side, we met up with our crafting friends again, and it wasn't just our stall. Talking to people who've been doing the craft fair circuits for years, the first few months are always apparently dire for sales, which makes sense I guess. I know the woman who has the table next to ours had no sales either, and she has a fantastic stall as she does the fairs as a full-time job.

So, this coming weekend off, but then three different Saturday fairs in March, and I have to have hope that they will be better. But some crafty plusses, James sold another piece from the craft shop and just got another commission from TikTok, so those are working out nicely. Another story from TikTok, apparently, once you hit over 5k followers, brands can get in touch about collaborations, where you get sent free products and get commission for selling them on your page. James got his first two offers yesterday, a face roller, and what keeps making me laugh each time I think about it, a wine glass that's cut in half, so you can drink half a cup of wine. Sadly, he said no to rolling his face and the strange glasses.

I don't think I said, but I got a call from the pharmacy last week saying the manufacturers of my compressions had just been in touch saying they didn't have the mango yellow colour. Now, this was weeks after the script had been put in, and only hours after I'd called into the pharmacy to ask if the compressions had arrived yet. You could say it was a total coincidence that the manufacturer happened to pick that afternoon to get in touch with the pharmacy to say they couldn't fulfil part of the order. Or you could say the pharmacy messed up again somehow and had just sent over the script when I reminded them. I know which one I'm leaning towards.

Bodhi's on half-term holiday from school this week, so I've seen her a few times. She was here for a few hours on Tuesday and was most disgusted when she found out that not only was I married to a boy but that I had kissed him too. Apparently, that was all kinds of wrong and yucky *g*

She was also here yesterday and had me doing back to back games of the floor is lava, copying the actions from videos we were watching on tv. Thankfully, she left just before the Bluey version that had Bingo doing the worm across the floor. Because spinning I could do, jumping, too, just! But the worm, not so much.

Glorious Exploits by Ferdia Lennon

Feb. 27th, 2026 09:06 am
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


The Sicilian debacle leaves Syracuse with seven thousand Athenian prisoners slowly starving in a quarry. What better time to stage a play?

Glorious Exploits by Ferdia Lennon
luminousdaze: Baby Yoda/Grogu channels the Force [by sietepecados] (Star Wars: force powers)
[personal profile] luminousdaze posting in [community profile] iconthat
Challenge 201: Texturize 2
One day extension!
Now open until Sunday, 1 March 2026 [PST]
{New Countdown Clock}
Currently, there are eight participants! 👍🏽
Entries will be accepted until I make the closing post.

Cartoon of a Jackson's chameleon smiling and tapping it's four feet with three music notes in bouncing in the air
dolorosa_12: (babylon berlin crowd 1)
[personal profile] dolorosa_12
Tonight I'm going out to the next iteration of the silent disco (80s/90s/2000s music — the cheesiest you can imagine), which as always is taking place in the cathedral. There's always a weird moment of disorientation when you enter the cavernous space of this ancient medieval cathedral ... and it's full of dancing people of all ages, dressed in lurid fluoro colours, stage lighting, and DJs.

So my prompt for this week's open thread is:

What examples of activities taking place in wildly incongruous spaces have you encountered?
jacey: (Default)
[personal profile] jacey

Audiobook narrated by Steven Crossley

The first Oxford Time Travel book is a collection of short stories, the second is Doomsday Book, read and reviewed earlier this month. This is the third which I was persuaded to try because (unlike Doomsday) it’s supposedly light and frothy, and it also won the Hugo and Locus Awards in 1999. And indeed it has elements of Three Men in a Boat meets Dr Who. Ned Henry, one of Oxford’s time-travelling historians, is searching for the Bishop’s Bird Stump, a (fictional) vase lost in the wartime bombing of Coventry Cathedral, in order to please Lady Schrapnell who holds the purse strings of the project to rebuild the cathedral. He’s been sent hither and thither to jumble sales and air-raids that he’s impossibly time-lagged and brain-fogged, so to get him safely out of the way his professor (Dunworthy whom we met in Doomsday Book) sends him back to Oxford 1888 for a relaxing fortnight beside the River Thames. He goes through the veil somewhat precipitously to get away from Lady Schrapnell, ill-prepared and barely taking in his instructions. Thus he makes a mess of his first encounter, fails to do something important and ends up on the river with an Oxford undergrad, Terence St Trewes, and a dotty history professor. Eventually he manages to meet up with his contact (the lovely Verity) and ends up a guest in a country house belonging to a bunch of Lady Schrapnell’s great-great-many-times-great-grands with the beautiful but vapid Tossie who speaks in diddums-diddums baby talk, her goldfish-fancying father and a scarily Schrapnell-like mother, plus the family butler, the Jeeves-like Baine. Thus the romantic comedy is set as Ned and Verity try to put right a variance in the space-time continuum which they accidentally caused in the first place. The Bishop’s Bird Stump is constantly bubbling away in the background as it’s a pivotal object that changes Tossie’s life. The book is light, but not a comedy in the laugh-out-loud sense, more slightly quirky and absurdist. Yes, there’s a dog (Cyril the bulldog) and a goldfish-eating cat (Princess Arjumand). Steven Crossley reads it well in an RP accent, with a good range of voices. You’re never far from hearing Lady Bracknell in a raft of imperious women from the book’s present (2057)  to Victorian England. And, of course, all is well in the end with the bird stump found, and the right lovers paired up, more thanks to time itself than the hapless Ned. Connie Willis captures the Three-Men-in-a-Boat vibe very well


jacey: (Default)
[personal profile] jacey

Audiobook narrated by Chris Devon.

Adam Catchpole is a science fiction author whose book sales are slipping. He’s in financial difficulties and spiralling into depression. His agent suggests writing in a different genre, and the popular market trends are spicy romances and Christmas stories. Though he hates Christmas, he reluctantly starts a novel. An odd incident involving a dance and drama school, sets him off reconnecting with the world and he find that as soon as he opens himself up to new experiences and new people, he starts to rebuild himself. There’s also a childhood backstory which reveals why Adam hates Christmas. His own story is that of a Christmas novel – slightly schmaltzy and feel-good. A cosy story, if you’re in the mood. Chris Devon reads it very well. I’m not sure if his accent is Manx (which is where the book is set) but it’s definitely an accent, and the book is all the better for it.


Gorton and Denton by-election

Feb. 27th, 2026 12:52 pm
loganberrybunny: Election rosette (Rosette)
[personal profile] loganberrybunny
Public

In the end, a fairly comfortable win by the Greens, with Reform just pipping Labour to second and the Tories and Lib Dems nowhere near saving their deposits. Social media is full of "hot takes" from pretty much all sides, so let's see if I can put together my "lukewarm take" that isn't likely to please anybody!

1. I am glad Reform didn't win. I think they are deeply unpleasant and divisive, and too many of their politicians are more or less openly Trumpist in their views. Stopping Reform would have been my number one priority had I been a voter there.

2. I am not especially keen on the new, urban wing of the Greens. They seem to be prioritising Corbynite left-wing policies rather than their traditional environmentalism, and Corbynite policies are not always appealing to me.

3. Labour are now in a real bind. I'm pleased they've been shown that trying to ape Reform isn't necessarily a vote-winner, but can they get back to being the kind of balanced centre-left party I'd like and drop some of the incompetence and authoritarianism? Probably not with Starmer still there.

4. Of all the "main" parties, the Lib Dems are often closest to my views these days, but they got under 2% of the vote. Voting LD this time would have been like spoiling my paper. The same goes for the Conservatives, had I been predisposed to vote for them.

5. Reform's Trumpian rhetoric about "family voting" having "stolen" the election is unacceptable. This is one reason I wanted whoever won to do so by a clear majority, as has happened. It's clearly an excuse for failing to win over enough voters.

6. At the same time, I do think it's a genuine issue if even a few women are being pressured to vote a certain way by their husbands. Until recently you could say, "Well, it's a secret ballot" – but with mobile phones women can now photograph their ballot papers (illegal but very hard to stop) to show that they have voted the "right" way.

7. Turnout was quite high for a by-election, only marginally down on the general. This wasn't a huge surprise to me. I think that's just the usual case of people thinking that because it was close, there was a reason to get out and vote.

8. First Past the Post is a terrible voting system, and if we see a party win a majority in 2028/9 with 25% of the vote it will become even more obvious. Yet the parties in power are too wedded to self-interest to change it, and I doubt despite current rhetoric Reform would either.

9. Labour allowing Andy Burnham to stand might have won them the seat – might – but then they'd have had another nightmare in the form of a Manchester mayoral election, since you can't be mayor and an MP at the same time.
calimac: (Haydn)
[personal profile] calimac
The problem with Mozart's Requiem is that he didn't live to finish it (ironically, since it's a requiem), and the substitute composers drafted in to complete the commission were not, frankly, very good. As a result a complete performance trails off awkwardly in the last few movements.

Various ideas have been tried to rescue the work from this problem. Today we had Manfred Honeck, music director from Pittsburgh, in to conduct his version. His plan is simply to cut out the parts Mozart had nothing to do with, and beef up the work by inserting other material. Sticking Ave Verum Corpus, a brief motet Mozart had written not much earlier, at the end was the conventional part of the plan; I've heard that done before, and it's a fine motet, so that works well. Also stuck in here, mostly as prelude but some as interludes, were other appropriate Mozart pieces, a movement from a Vespers and the Masonic Funeral Music, some Gregorian chants sung offstage by an almost inaudible male chorus, and some spoken readings, including the bit from Revelations about the Dies Irae, instantly followed by the music plunging into that movement of the Requiem.

The intent was to frame the work as a memorial for Mozart himself (highlighted by one of the readings being his letter to his dying father on the consolations of death), which was abruptly turned into a memorial for Joshua Robison, former SFS music director Michael Tilson Thomas's husband, who died last week. What it meant musically is that this was a very heavy, almost dragging, performance especially of the slow portions. I didn't find it very compelling artistically. That's a pity, because the performers (at least the ones onstage) were excellent, notably the Symphony Chorus which was as strong and rich as it's always been since Jenny Wong took over direction, and the soloists who don't get a lot, but of the four of them, all vivid with fine voices, the great Sasha Cooke stood out most.

Also on the program (the rebuilt Requiem took about an hour), works by Mozart's fellow Vienna classicists: Haydn's lively and quirky Symphony No. 93, and Beethoven's imposing Coriolan Overture, both more effectively put across than the main event.

Varvara Bubnova (1886-1983)

Feb. 27th, 2026 09:27 pm
nnozomi: (pic#16721026)
[personal profile] nnozomi posting in [community profile] senzenwomen
Varvara Bubnova was born in 1886 in St. Petersburg, where her father was a bank clerk. Her mother believed that the only way for women to express their ability was through the arts, and taught her three daughters languages, music, and painting. Marya, the oldest, and Anna, the youngest, were both musically gifted, but middle daughter Varvara’s skills ran to the visual arts; at twenty-one she entered the prestigious St. Petersburg Academy of Arts as a painter in oils. There (along with artists including Mayakovsky, Natalia Goncharova, and Kazimir Malevich) she met the painter Voldemārs Matvejs, a Latvian who was studying African art; they spent their summers traveling Europe, visiting museums of art and ethnology and discovering local folklore. In 1914, just after their engagement, Matvejs died; not long after, Varvara’s father followed him.

In response, Varvara buried herself in her work. In 1917, as the Russian Revolution broke out, her sister Anna fled to Japan with her Japanese husband Ono Shun’ichi. Varvara chose to move to Moscow and continue Matvejs’ work, learning lithography and working among others with Kandinsky, Lyubov Popova, and Rodchenko. She published a book on African art in Europe in 1919, under Matvejs’ name.

In 1922, she and her mother made the six-month trip to Japan in order to see Anna and her family. She enjoyed the new landscapes and unfamiliar customs, but found the art world unsatisfying (“they have inherited nothing from the past and have not yet formed anything modern,” she wrote to a friend), although she was fascinated by traditional Japanese painting. Varvara’s own work at first failed to find an audience when it was exhibited. After publishing an essay on Russian art in one of the leading literary journals, she was invited to join an exhibition held by the young avant-garde, who adopted her as one of them. Some theories suggest that her name was the V in MAVO, the name given by the playwright and artist Murayama Tomoyoshi to his journal in 1924.

For an independent income (so as not to be a drag on her sister’s household forever), Varvara took a post as lecturer in Russian at Waseda University and later at the Tokyo University of Foreign Studies, where many of her students later became well-known translators and scholars (at least one, Yonekawa Masao, admired her intelligence and erudition so much as to write that he would have proposed to her if he hadn’t already had a family). In 1927 she married Vladimir Golovshchikov, who was over a decade younger than she (and seems to have no historical existence except as her husband, I’m not even sure I’ve transcribed his name right). She continued to exhibit her lithographs and to discuss art with her colleagues, such as the left-wing satirical cartoonist Yanase Masamu, who shared her admiration for the painter Käthe Kollwitz. Her first solo exhibition was held in 1932, focusing on depictions of laborers such as farmers, fishers, ex-servicemen, and ama divers. The artist Onchi Koshiro, a longtime friend, wrote that her work was “full of extremely realistic detail, cleaving closely to everyday life and yet holding a sense of mystery of a sort.” She went on to provide illustrations for the translations from Russian published by her students, and acted as interpreter for the visionary German architect Bruno Taut when he visited Japan.

During the war, her nationality made her suspect and she was constantly under surveillance, but her friends and students stayed by her. Her mother died in 1940 and her husband in 1946. She continued to ride the tram to her work at the university and teach her students to read Pushkin, a distant relative on her mother’s side. In 1958 she returned to the Soviet Union, where she held several solo exhibitions, settling in Sukhumi (modern-day Abkhazia/Georgia) on the Black Sea along with her older sister Marya. She died in 1983 at the age of ninety-six.

Sources
Mori 2008
https://jp.rbth.com/arts/82711-bubnova-shimai
https://note.com/bunkertokyo/n/nb7d17d92dedd (Japanese) Articles illustrated with Varvara’s works
[syndicated profile] bruce_schneier_feed

Posted by Bruce Schneier

Iran is slowly emerging from the most severe communications blackout in its history and one of the longest in the world. Triggered as part of January’s government crackdown against citizen protests nationwide, the regime implemented an internet shutdown that transcends the standard definition of internet censorship. This was not merely blocking social media or foreign websites; it was a total communications shutdown.

Unlike previous Iranian internet shutdowns where Iran’s domestic intranet—the National Information Network (NIN)—remained functional to keep the banking and administrative sectors running, the 2026 blackout disrupted local infrastructure as well. Mobile networks, text messaging services, and landlines were disabled—even Starlink was blocked. And when a few domestic services became available, the state surgically removed social features, such as comment sections on news sites and chat boxes in online marketplaces. The objective seems clear. The Iranian government aimed to atomize the population, preventing not just the flow of information out of the country but the coordination of any activity within it.

This escalation marks a strategic shift from the shutdown observed during the “12-Day War” with Israel in mid-2025. Then, the government primarily blocked particular types of traffic while leaving the underlying internet remaining available. The regime’s actions this year entailed a more brute-force approach to internet censorship, where both the physical and logical layers of connectivity were dismantled.

The ability to disconnect a population is a feature of modern authoritarian network design. When a government treats connectivity as a faucet it can turn off at will, it asserts that the right to speak, assemble, and access information is revocable. The human right to the internet is not just about bandwidth; it is about the right to exist within the modern public square. Iran’s actions deny its citizens this existence, reducing them to subjects who can be silenced—and authoritarian governments elsewhere are taking note.

The current blackout is not an isolated panic reaction but a stress test for a long-term strategy, say advocacy groups—a two-tiered or “class-based” internet known as Internet-e-Tabaqati. Iran’s Supreme Council of Cyberspace, the country’s highest internet policy body, has been laying the legal and technical groundwork for this since 2009.

In July 2025, the council passed a regulation formally institutionalizing a two-tiered hierarchy. Under this system, access to the global internet is no longer a default for citizens, but instead a privilege granted based on loyalty and professional necessity. The implementation includes such things as “white SIM cards“: special mobile lines issued to government officials, security forces, and approved journalists that bypass the state’s filtering apparatus entirely.

While ordinary Iranians are forced to navigate a maze of unstable VPNs and blocked ports, holders of white SIMs enjoy unrestricted access to Instagram, Telegram, and WhatsApp. This tiered access is further enforced through whitelisting at the data center level, creating a digital apartheid where connectivity is a reward for compliance. The regime’s goal is to make the cost of a general shutdown manageable by ensuring that the state and its loyalists remain connected while plunging the public into darkness. (In the latest shutdown, for instance, white SIM holders regained connectivity earlier than the general population.)

The technical architecture of Iran’s shutdown reveals its primary purpose: social control through isolation. Over the years, the regime has learned that simple censorship—blocking specific URLs—is insufficient against a tech-savvy population armed with circumvention tools. The answer instead has been to build a “sovereign” network structure that allows for granular control.

By disabling local communication channels, the state prevents the “swarm” dynamics of modern unrest, where small protests coalesce into large movements through real-time coordination. In this way, the shutdown breaks the psychological momentum of the protests. The blocking of chat functions in nonpolitical apps (like ridesharing or shopping platforms) illustrates the regime’s paranoia: Any channel that allows two people to exchange text is seen as a threat.

The United Nations and various international bodies have increasingly recognized internet access as an enabler of other fundamental human rights. In the context of Iran, the internet is the only independent witness to history. By severing it, the regime creates a zone of impunity where atrocities can be committed without immediate consequence.

Iran’s digital repression model is distinct from, and in some ways more dangerous than, China’s “Great Firewall.” China built its digital ecosystem from the ground up with sovereignty in mind, creating domestic alternatives like WeChat and Weibo that it fully controls. Iran, by contrast, is building its controls on top of the standard global internet infrastructure.

Unlike China’s censorship regime, Iran’s overlay model is highly exportable. It demonstrates to other authoritarian regimes that they can still achieve high levels of control by retrofitting their existing networks. We are already seeing signs of “authoritarian learning,” where techniques tested in Tehran are being studied by regimes in unstable democracies and dictatorships alike. The most recent shutdown in Afghanistan, for example, was more sophisticated than previous ones. If Iran succeeds in normalizing tiered access to the internet, we can expect to see similar white SIM policies and tiered access models proliferate globally.

The international community must move beyond condemnation and treat connectivity as a humanitarian imperative. A coalition of civil society organizations has already launched a campaign calling fordirect-to-cell” (D2C) satellite connectivity. Unlike traditional satellite internet, which requires conspicuous and expensive dishes such as Starlink terminals, D2C technology connects directly to standard smartphones and is much more resilient to infrastructure shutdowns. The technology works; all it requires is implementation.

This is a technological measure, but it has a strong policy component as well. Regulators should require satellite providers to include humanitarian access protocols in their licensing, ensuring that services can be activated for civilians in designated crisis zones. Governments, particularly the United States, should ensure that technology sanctions do not inadvertently block the hardware and software needed to circumvent censorship. General licenses should be expanded to cover satellite connectivity explicitly. And funding should be directed toward technologies that are harder to whitelist or block, such as mesh networks and D2C solutions that bypass the choke points of state-controlled ISPs.

Deliberate internet shutdowns are commonplace throughout the world. The 2026 shutdown in Iran is a glimpse into a fractured internet. If we are to end countries’ ability to limit access to the rest of the world for their populations, we need to build resolute architectures. They don’t solve the problem, but they do give people in repressive countries a fighting chance.

This essay originally appeared in Foreign Policy.

[syndicated profile] bruce_schneier_feed

Posted by Bruce Schneier

This is new. North Korean hackers are posing as company recruiters, enticing job candidates to participate in coding challenges. When they run the code they are supposed to work on, it installs malware on their system.

News article.

Dear Unsent Letters 2026 writer:

Feb. 27th, 2026 11:44 am
eye_of_a_cat: (Default)
[personal profile] eye_of_a_cat
[this letter is a work in progress - some fandoms tbc]

Thank you so much for making something for me! I have some overall likes and DNWs below, and then some fandom-specific ideas and things I like about the canon and charactersPlease only consider prompts as potential suggestions put out there in case you find them useful, though, and write/draw/make whatever best calls to you. So long as it avoids my DNWs I am sure I will be happy; I love seeing other people's takes on characters and relationships I like and don't require them to follow my own ideas or headcanons.

Shortcut links within this letter:
General: 
likesNSFW likesDNWsopt-ins.
Fandoms: 
Babylon 5AndorBSGSilmarillionRings of PowerStar Wars: The AcolyteStar Wars: original trilogyPiranesi

General likes )
NSFW likes )
DNWs )

Opt-ins )





Babylon 5 )

 
Andor )
 
Battlestar Galactica 2003 )


The Silmarillion )


The Rings of Power )


Star Wars: The Acolyte )

 
Star Wars: Original Trilogy )


Piranesi )
 

Irregular Webcomic! #3049

Feb. 27th, 2026 10:11 am
[syndicated profile] irregular_comic_rss3_feed
Comic #3049

Clearly Ishmael had good history teachers.


2026-02-27 Rerun commentary: I actually think I learnt more about World War II from one of my English teachers, than in history classes. He was obsessed with WWII, and we studied multiple novels about it, as well as the Diary of Anne Frank.

andrewducker: (Zim Doom)
[personal profile] andrewducker
A bit of context - A safe Labour seat switched to a seat where Labour came third (Greens 40%, Reform 28%, Labour 25%).

1) That wasn't as close as polls made it out to be. The polls had Green 7% above or tied with Labour, who were either 3% ahead of or tied with Reform. Instead, Greens walked it by 12%. If we're going to be stuck with making decisions about tactical voting based on the polls then we need polls that are more accurate than that!

2) This is the worst possible result for Labour. If people are going to vote tactically against Reform (which they really want to do), then you *really* want to be able to place yourself as the best alternative to beat them. And now we've had two by-elections where that wasn't the case. One in Wales, which Plaid Cymru won and one in *Manchester*, a Labour heartland, which the Greens won. This makes it look like even where Labour are historically strong they aren't going to beat Reform.

3) What does this do for the Greens in the council elections? Well, presumably it sets them up to claim that they're a strong contender to beat Reform, everywhere where Labour is currently the lead. They might be! They might not be! But it really doesn't look good for Labour any way around.

4) What does it do for the Lib Dems in the council elections? It probably locks them out from any of the Labour heartlands - they'll focus on the Conservative areas of the country. Which, frankly, appears to be their strategy anyway.

5) I have no idea who a bunch of people actually wanted to vote for. It seems likely that at least 28% wanted to vote for each of Labour, Greens, and Reform, but if the polls had shown that Labout was on 30% and Greens were on 28%, who would that extra 12% who voted for the Greens have turned out for?

6) This is a bloody stupid way to run an election system. "I'll vote for whoever has the best chance of beating the party I don't like" is such a fragile way of voting for anything. It "works" in a 2 (or 2.5) party system, as England has been stuck in for decades. It completely fails in a 5 party system (6 in Wales and Scotland).

7) What does this mean for Keir Starmer? Well, I reckon nobody else wants to be PM for the council elections. So I'm not expecting him to resign until the 8th of May.

8) What does this mean for Labour's "Tack rightward to gain votes from fascists" strategy? Your guess is as good as mine, but I really hope it's dead now.
rionaleonhart: death note: light's kind of embarrassed that he poured all that fake sincerity into an obviously doomed ploy. (guess not)
[personal profile] rionaleonhart
Death Note: The Musical is coming to London this summer, which is pretty exciting news if you're me!

'Wow, is Riona posting an entry about something that's not The Goes Wrong Show?' - bad news, I'm afraid.

Tem: Are you looking forward to seeing your boy Light Yagami?
Rei: Played by Robert Grove.
Riona: That would be a bold casting decision, but I'd watch it.
Tem: Death Note Goes Wrong. Their 'prop Death Note' is an actual Death Note. They need to write in it during the show, so they just use the names of the people who bought tickets. At the end, they're going 'wow, this was our most successful performance ever, can't wait for the applause,' and the lights go up to reveal the entire audience dead, with Ryuk sitting in the front row and applauding.
Rei: They consider writing Jonathan's name in the Death Note, because it's the only way he'll be included in the play, but they decide against it because he's not part of the audience. That's the only reason he survives.
Riona: Or they write his name in the Death Note, but he survives because they misspell it.

Robert Grove also cannot be entrusted with a Death Note if he knows it's real, of course. If Robert sees an opportunity to secure the role he desires, he will take that opportunity immediately and think about it later, if at all.

Basically, Robert has no particular desire for anyone's death, but he will one hundred percent kill people if it's a straightforward way to get what he wants. I give it a week before he kills Chris in order to get the lead role and then goes '...hmm, I might regret that later.'

Dennis might actually be the safest member of the Cornley Drama Society to entrust with a Death Note. He wouldn't use it with the intention of killing anyone. He would almost certainly forget it kills people and start using it like a normal notebook, which is risky, but if he writes anyone's name he's probably going to misspell it.

Aaaaand then Robert would wrestle the notebook off him and use it to kill Chris so he can have the lead. Let's just not give the Cornley Drama Society a Death Note at all.

Star Trek: Starfleet Academy 1.08

Feb. 27th, 2026 10:17 am
selenak: (Father Issues by Raven_annabella)
[personal profile] selenak
In which we find out the writers of this show must really like both Thornton Wilder and the last two seasons of Angel: The Series while having issues with one particular Voyager episode, or rather its aftermath. Also, at last, at last, SOMEONE is back an my screen!

Spoilers take back a key nitpick from last week and are an Angel fan anyway )

New Worlds: Civil Strife

Feb. 27th, 2026 09:04 am
swan_tower: (Default)
[personal profile] swan_tower
Uprisings. Revolts. Insurgencies. Rebellions. Civil wars.

What are the differences between all these things?

The gradations can be quite fine, in no small part because they're often as much a question of public relations as one of technical definitions. (Especially in a historical context, before political scientists started making technical definitions.) They're all forms of internecine strife, differentiated by how organized they are, how violent, how acknowledged by the official government, and so forth. And so, rather than trying to separate all the possible strands, I'm just going to talk about them in a lump here.

Genre fiction loves the idea of the Big Rebellion. A plucky band of idealists gather together, maybe fight a few battles, kill or capture the king, and put somebody new in charge: Mission Accomplished! A phrase George W. Bush famously used rather prematurely after the U.S. invasion of Iraq in 2003, and I deploy it here quite with deliberate intent, because of course the situation is unlikely to be that simple. Regime changes rarely go that quickly and smoothly, and even if the guy who used to be in charge dies, is that really the end? His loyalists, instead of laying down arms, are liable to find someone else to rally around: a brother, a son, somebody claiming to be a son, etc. It took about thirty-one years for the fighting to end after the Glorious Revolution of 1688 deposed James II & VII from the thrones of England and Scotland, and Henry VII had to deal with multiple pretenders announcing themselves as various lost royal relatives after the Wars of the Roses.

But it's also somewhat rare for a rebellion to sweep in and put somebody totally new on the throne, at least in the kinds of societies we tend to write about. Changes of dynasty do happen, but where there's a strong expectation of titles being inherited within a bloodline, claimants often grasp for some fig leaf of lineage or marriage to a suitable spouse to cover their naked ambition. Winning legitimacy on charisma alone is not unheard of, but it's much less common. Most civil wars within a kingdom look more like the English Anarchy, with the previous king's daughter fighting his nephew for the crown. (She lost, but her son wound up inheriting anyway after her cousin died.)

There are other reasons for civil strife, though, and they tend to be much less explored in science fiction and fantasy.

In particular, a whole swath of this subject can be placed under the header of "listen to us, damn it!" The famous Magna Carta of England was the product of rebellion by a group of barons against King John -- but they weren't trying to replace him. Instead they wanted him to confirm the Charter of Liberties proclaimed by Henry I about a century before, which protected certain elite rights. (Magna Carta itself is not about the rights of the common man, either, though people in later centuries assumed for a while that it was.) If war is the continuation of policy with other means -- the actual phrasing used by Clausewitz, often somewhat misquoted -- then revolts can be a way of angling for leverage in a political dispute.

This is especially true of peasant revolts. It is extraordinarily rare for the common folk to rise up and effect a regime change all on their own; in fact, it is rare enough that I can't think of any ironclad examples. (If you know of one, I welcome it in the comments!) The American and French Revolutions were heavily led, at least in the first instance, by relatively privileged men; even the Haitian Revolution likely would not have succeeded if the rebels hadn't received support from outside. Peasants, slaves, and other such folk simply do not have the resources or knowledge necessary to stand unsupported against people who hold every advantage against them.

But most peasant revolts aren't aimed at installing a new king or swapping monarchy for some other system of government. They're attempts to redress specific grievances, like unfair taxation or judicial corruption, or to achieve improved rights, such as through the abolition of serfdom (one of the goals of Wat Tyler's Rebellion in 1381). And if we're being honest, goals like that are a lot more important to the average farmer in his field than who exactly is ruling the country! Kings come and go, but taxes remain.

The relative achievability of those goals doesn't mean they get achieved, though. Governments have a loooooong and inglorious history of viewing any such resistance as treason, and they put it down with extreme force. Nor is this solely a thing of the distant past: in more modern times, labor organization has been viewed in a very similar light, as a rebellious disobedience to the law, posing a great enough threat to the stability of the nation that it justifies violent or even lethal response.

Nonviolent resistance isn't unheard of in historical eras, but large-scale acts of it have become more common over the past century or so. I wonder -- this is entirely my own thought, not anything I've read, and it's not a subject I'm deeply familiar with -- if its success relies at least in part on mass communication. While nonviolent groups have existed before, as a tactic in effecting widespread social change it seems to be mostly new, and that makes sense when you think about the role played by optics. As I said above, governments tend to respond with force to those who disobey, and that excites a lot more sympathy and support for peaceful protesters when the news can be widely circulated. (Particularly if the event is captured on video.) Of course, routine interpersonal violence has also declined over time, so most disputes these days are less likely to break out into fights, let alone fatal ones.

Civil strife has absolutely not gone away, though, nor do I think it's likely to do so any time soon. Right now in my own country, we have widespread resistance to the authoritarian government of Donald Trump, ranging from peaceful protests in the streets to acts of low-grade sabotage against the secret police of Immigration and Customs Enforcement (ICE) arresting and deporting anybody who looks too brown. It's not a revolution to throw him out ahead of schedule and replace him with somebody new, and it certainly can't be accomplished with one climactic fight and a quick denouement . . . but perhaps we could use more fictional examples of how this kind of struggle is fought.

Patreon banner saying "This post is brought to you by my imaginative backers at Patreon. To join their ranks, click here!"

(originally posted at Swan Tower: https://is.gd/CYJRUS)
vriddy: K-9 Volume 1 Cover (k-9)
[personal profile] vriddy
First K-9 fic I posted since the tags got wrangled :D Ooooh the delicious luxury of having the ship name auto-complete... 🫦 especially when it's long af XD

I guess I'm celebrating by creating even more character/ship tags haha. Hello hello, Eden cast! Welcome to AO3 ;)


To win your hand | K-9 | Ren/Oboro/Fujimaru/Kagari + one-sided Sasakura/Fujimaru | 2.2k words | rated T

Summary: Jin can sew himself back together, but he can't regrow a missing hand like some kind of lizard. Now, he has a choice: either get used to it, or go search for his missing limb. Easier said than done.

Read it on Dreamwidth or on AO3.

7 PDPHs for AU5k 2025 due March 13th

Feb. 27th, 2026 01:47 am
tavina: (Default)
[personal profile] tavina posting in [community profile] pinchhits
Minimum: 5000 words, or a comic that is 5 pages or 20 panels long, or a podfic 5000 words or greater
Due: March 13th at 10pm EDT
 
PH 2 - Wolf 359 (Radio), Project Hail Mary - Andy Weir, The Magnus Archives (Podcast), Wayfarers Series - Becky Chambers, Wayfarers Series - Becky Chambers 
 
PH 4 - Alan Wake (Video Games), Control (Video Game), Max Payne (Video Game) 
 
PH 9 - 阴阳师 | Yīn Yáng Shī | The Yin-yang Master (Movies - Guo Jingming), 밤에 피는 꽃 | Knight Flower (TV), 陰陽師 | Onmyouji (Anime 2023) 
 
PH 10 - 呪術廻戦 | Jujutsu Kaisen (Manga), Given (Anime), Wind Breaker - にいさとる | Nii Satoru (Manga), Wind Breaker (Anime), 呪術廻戦 | Jujutsu Kaisen (Anime), 呪術廻戦 | Jujutsu Kaisen (Anime), 呪術廻戦 | Jujutsu Kaisen (Manga), Outlast (Video Games) 
 
 PH 13 - Monster - Urasawa Naoki (Anime & Manga), 憂国のモリアーティ | Yuukoku no Moriarty | Moriarty the Patriot (Manga), The Shadow (1994) 
 
 PH 22 - NoPixel (Web Series), Video Blogging RPF, 文豪ストレイドッグス | Bungou Stray Dogs 
 
PH 30 - Men's Hockey RPF, Watchmen (2009), Outlast (Video Games) 
 
Claim via emailing TavinaFanfiction@gmail.com or by commenting at https://au5k.dreamwidth.org/15169.html

Thank you for considering our pinch hits! 

There are never enough trains

Feb. 27th, 2026 01:56 pm
rattfan: (Me 2024)
[personal profile] rattfan
I saw this on Facebook today: It's a bewildering concept. This may be my favourite boardgame, well, after Scrabble, but a movie? Of course, as a card carrying nerd [it's my library card] I would watch a movie of a bunch of people on an old style train, playing Ticket to Ride. 

nerdist.com/article/netflix-developing-ticket-to-ride-movie-board-game-asmodee/

Recipe: African Spice Cookies

Feb. 26th, 2026 11:47 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Today I made African Spice Cookies. :D

Read more... )

Photos: Water Garden

Feb. 26th, 2026 11:44 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
My second garden craft today was making a mini-water garden. (See the House Yard and the Worm Bin.)

Walk with me ... )

Photos: Worm Bin

Feb. 26th, 2026 11:27 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
One of today's garden crafts was making a worm bin.  You can buy commercial ones, but they're expensive.  All this took was a few minutes to set it up. (See the House Yard and the Water Garden.)

Walk with me ... )

Profile

kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
kaberett

February 2026

M T W T F S S
       1
23 4 5 6 7 8
9 10 1112 13 14 15
16 17 18 19 2021 22
23 24 25 262728 

Most Popular Tags

Page Summary

Style Credit

Expand Cut Tags

No cut tags
Powered by Dreamwidth Studios