40+6 icons for retro_icontest

Feb. 13th, 2026 05:11 pm
tinny: Close-up of Wu Lei with long Dongji hair, his head propped up on his hand, looking so soft (wulei_so soft)
[personal profile] tinny
The current round at [community profile] retro_icontest is the Icon Crossing round from [community profile] somein30. I had been working on sets for 2023 and 2024 already, but never finished them. I'm using this round to post those icons I made then, along with the new ones. I also randomized new pairs for 2025 and made new crossover icons for those. As suspected, this was so much fun, and I made a lot more icons than expected. In fact, I don't think I've ever made this many icons for a contest in one month before. Some of them are hilarious crack! :D Luckily, retro_icontest has no upper limit, so here you go:

Enjoy!

05.
->
31.
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32.
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40+6 icons!! - Lots of Wu Lei PLUS 2 Heated Rivalry, 3 DMBJ, 2 Zhu Yilong, 1 Guardian, and 1 Bai Yu )

Comments are love - and concrit, too. <3 Take and use as many icons as you like, credit is appreciated. Texture and brush makers: here in my resource post.


Previous icon posts:

Language shift

Feb. 13th, 2026 11:50 pm
fred_mouse: line drawing of sheep coloured in queer flag colours with dream bubble reading 'dreamwidth' (Default)
[personal profile] fred_mouse

I'm reading an Ellery Queen detective novel from, hmm, the late 1920s, I think? And I was highly amused to read the following line:

“It was Friday morning and the Inspector and Ellery, garbed romantically in colorful dressing-gowns, were in high spirits.”

Methinks that 'romantically' has shifted in meaning. I can kind of work it out, but also, only at a kind of intellectual understanding rather than really getting it.

(for those not familiar, this is a parent/adult child dyad)

PERILOUS PERIL

Feb. 13th, 2026 02:00 pm
[syndicated profile] cakewrecks_feed

Posted by Jen

It's Friday the 13th, and wreckerators are up to their old tricks:

 Cakes that stare:

Cakes that WOULD stare if they had a face:

Menacing snowman heads playing golf:

(I think?)

Gratuitous use of berry topping:

(Is that a number 3 or a heart? And why does it scare me either way?)

Alarming cakes for 6-year-olds:

(When I was 6 I liked Winnie-the-Pooh, is all I'm saying.)

And of course, HORSE HEADS FOR EVERYONE.

You get a creepy horse head, and YOU get a creepy horse head, EVERYBODY GETS A CREEPY HORSE HEEEEAD!!

Happy Friday the 13th, y'all. Watch out for suspiciously large bakery boxes, k?

And thanks to Roberta, Danielle M., Karen M., Katie N., Anna B., & Maja V. for being the only neigh-sayer.

P.S. I feel duty-bound to inform you that these are less than $13 on Amazon:

Creepy Horse Head Mask

Do with this information what you will. :D

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Posted by Rachel Cordasco

Manga's First Century coverWhen you’re given a book about a subject you’re interested in but know little about, you likely have in the back of your mind an idea of what you want to read. Are you sufficiently interested in the subject to delve into an exhaustive, thoroughly-researched dissertation, or are you looking for a shorter, condensed, highlight-driven overview that can help you get your foot in the door without overwhelming you with information?

Knowing very little about manga but interested in learning about its origins and evolution, I approached Manga’s First Century with an idealistic perspective about how quickly and easily it would inform me of the subject. The first chapter showed me that this wasn’t the book I had received. Rather, Andrea Horbinski’s exploration of manga is a massive onslaught of detailed information that would constitute a feast for hard-core manga fans hungry for a roadmap to how the art form found its groove from the early twentieth century through its development into the late 1980s, where she ends her account. Instead of the lay-reader-friendly introduction to manga that I was hoping for, Manga’s First Century is nonetheless a fluent, eloquent account of the art form and its many iterations across Japan’s rapidly-shifting social, political, and economic landscapes during the tumultuous, accelerated twentieth century.

Despite its intense popularity in Japan and the increasing number of bookshelves dedicated to the form in American bookstores, relatively little scholarly work has been done on manga. The first, Frederik L. Schodt’s Manga! Manga! The World of Japanese Comics (1983), was published by Kodansha International and sought to introduce Western comics fans to the manga that itself was influenced by late-nineteenth- and early-twentieth-century American and British satirical cartoons. Helen McCarthy, a British scholar who has written extensively about manga and anime since the early 1990s, gave Anglophone readers A Brief History of Manga in 2014 (which includes extensive illustrations and focuses on specific, important dates) and is coming out with The Manga Bible this year. The only scholarly studies of manga that I could find prior to Horbinski’s book are Eike Exner’s Comics and the Origins of Manga: A Revisionist History (2021) and Manga: A New History of Japanese Comics (2025). In the latter book, Exner begins in the 1890s, but then takes the story into the twenty-first century, focusing on the art form’s “structural development” and the ways in which manga publishing itself has shaped its development.

One of Horbinski’s major claims in this book is that she is specifically choosing 1905 as her start date because she wants to decouple manga from earlier forms of Japanese art. However, Exner’s earlier Comics and the Origins of Manga specifically claims that it, too, “challeng[es] the conventional wisdom that manga evolved from centuries of prior Japanese art” and “explain[s] why manga and other comics around the world share the same origin story” (publisher’s synopsis). This argument over timelines is important in how scholars and fans understand manga’s origins, so it’s not surprising that both Exner and Horbinski are interested in nailing down a date. Horbinski specifically points to “ponchi-e,” the Japanese term for Punch drawings, a form which itself derived from the magazine of the same name, launched in England in 1841.

Inspired by Mr. Punch of the Punch and Judy puppet shows popular in England from the nineteenth century, the magazine focused on social and political satire. In Japan, such cartoons evolved into what we call manga at the turn of the twentieth century, thanks to the work of pioneers Imaizumi Ippyō and Kitazawa Rakuten. The latter’s “artistic and satirical innovations, focused on political subjects, made Tokyo Puck [a satirical Japanese magazine inspired by the American magazine of the same name] Japan’s first manga magazine and him its first professional mangaka” (p. 307). Rakuten was succeeded by Okamoto Ippei, who moved manga out of its political and social satire corner to comment on the larger Japanese society as it industrialized and competed with Europe and America.

Horbinski appropriately launches us into this history of manga with the image of a boy dashing through the streets of Kumamoto, desperate to get his hands on a monthly manga magazine and some of the freebies that come with it. Reading this, I was reminded of my older brothers, who grew up in the 1970s and 80s reading every Marvel and DC comic they could get their hands on, begging my parents to take them yet again to the local comic book store so they could get the latest issue of … whatever it was. It’s this devotion and enthusiasm that, according to Horbinski, has characterized manga since it launched into the popular Japanese imagination with Ippyō and Rakuten.

For the two pioneers, manga was a break from Edo era visual art (1603-1867) and situated itself more forcefully in modern times, which allowed it to easily morph and evolve with the changing times (and the changes came thick and fast in the twentieth century—see two world wars, Japan’s “economic miracle” of the 70s and 80s, etc.). Horbinski clearly explains in her introduction that she wants to tell “a history … rather than the history,” focusing on a few key themes in order to develop her argument. Given this, it is surprising that Horbinski offers little discussion of the studies that have come before by Schodt, McCarthy, and Exner. Though her bibliography is extensive, she only cites Exner once in the book and never mentions the other two authors except in the bibliography.

One could counter this by noting that Horbinski must have spent countless hours in the archives that she lists, finding information about the many manga magazines and clubs that sprang up as manga gathered steam. Her specific interests in this book (given the subtitle) include the ways in which the manga establishment and the manga on the periphery have established a productive tension over the years, with “upstarts working on the margins seeking to revolutionize the medium’s content and audiences” (p. 5). Horbinski has also offered a focused analysis on format and “format as platform,” since “manga has oscillated between newspapers, magazines, four-panel comics, serialized multi-chapter stories, dojinshi [self-published works], and ebooks” (p. 7).

Horbinski offers us a street-level view of the impacts of, for instance, censorship, changing gender norms, technological innovation, and marketing (especially to children) on the shifting of manga from satire to storytelling, taking us on a tour through: manga’s Origins, 1905-1928; Manga During Wartime, 1928-1946; Manga in the Postwar Era, 1945-1963; TV Manga and the Age of Revolution, 1963-1975; and Manga Turns Postmodern, 1975-1989. From political cartoons in the early 1900s to a dizzying array of magazine and book manga telling stories for every demographic and about any topic one could think of, Horbinski shows how manga has come to stand for an art form that the masses love because it speaks to them.

Some manga reflects the speed of our modern age (content, style), while some is more stylized (flowers, celestial bodies), and yet others offer us adorable cats and other animals. Despite its seemingly infinite variety, however, manga still has at its core a specific kind of style that has evolved for the twenty-first century. I took my own tour of the manga section at my local Barnes and Noble after reading Manga’s First Century and was immediately intimidated, faced with hundreds of manga volumes. Taking a few off of the shelves and paging through, I thought of what Horbinski writes about how the art style has been driven by the artists who read manga growing up first imitating those forebears and then launching their own interpretations. Reading Manga’s First Century deepened my appreciation, then, of the ways in which manga has saturated Japanese society and spread around the world. It didn’t take me by the hand and give me recommendations, though, so I’ll have to get those from a trusted manga enthusiast who can guide me toward the books and compilations I might like. But I have no doubt that I’ll find something.


Kiss Battle? KISS BATTLE 2026!

Feb. 13th, 2026 09:43 am
althea_valara: An icon of Aphmau from Final Fantasy XI. She's got blond hair up in a braid around her head, and is wearing orange Eastern-inspired clothing. (aphmau)
[personal profile] althea_valara
FINAL FANTASY KISS BATTLE 2026
FINAL FANTASY KISS BATTLE 2026
FINAL FANTASY KISS BATTLE 2026


Yes, that's right, the Kiss Battle is back! The premise is simple: folks leave a prompt, others fill those prompts. The fill MUST include a kiss of some kind - your interpretation of what that means is open! And this is not just for fanfic - fan art is welcome, too!

COME PLAY WITH US!

FINAL FANTASY KISS BATTLE 2026
FINAL FANTASY KISS BATTLE 2026
FINAL FANTASY KISS BATTLE 2026

Omphaloskepsis

Feb. 13th, 2026 02:59 pm
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Posted by Simon

Do you engage in omphaloskepsis?

Mimicking UK politicians navel gazing

Omphaloskepsis [ˌɒmfələˈskɛpsɪs] is a very useful word that means the comtemplation of or meditation upon one’s navel, or in other words, navel-gazing. Another definition is ‘Ratiocination* to the point of self-absorption’. It comes from Ancient Greek ὀμφαλός (omphalós – navel) & σκέψις (sképsis – perception, reflection) [source].

*Ratiocination = Reasoning, conscious deliberate inference. Thought or reasoning that is exact, valid and rational. A proposition arrived at by such thought [source].

Related words include:

  • omphaloskeptic = One who contemplates or meditates upon one’s navel; one who engages in omphaloscopy. Likely to, prone to, or engaged in contemplating or meditating upon one’s navel.
  • omphalomancy = Divination by means of a child’s navel, to learn how many children the mother may have.
  • omphalopsychic = Related to or characterised by navel-gazing (omphaloskepsis). Someone who engages in omphaloskepsis, a navel-gazer.

The Modern Greek word ομφαλοσκοπία (omfaloskopía – the action or effect of omphaloscopy. A method of divination involving the examination of the umbilical cord) is also related [source].

The Ancient Greek word ὀμφαλός (omphalós – navel, umbilical cord, anything navel-shaped, centre) comes from Proto-Indo-European *h₃m̥bʰ-l̥- (navel), from *h₃nebʰ- (hub, navel) [source].

Words from the same roots include umbilicus (navel, middle, centre), navel and nave in English, ombelico (navel, umbilicus) in Italian, nombril (navel, belly button, middle) in French, umbigo (navel) in Portuguese, buric (navel, belly button) in Romanian, naaf (hub, nave) in Dutch, Nabel (navel, belly button, centre, middle) in German, and imleacán (navel, belly button) in Irish [source].

By the way, I found the word omphaloskepsis while putting together a Celtiadur post about words for navel, centre and middle in Celtic languages. It appears in the definition of the Welsh word bogailsyllu [bɔɡai̯lˈsəɬɨ / boːɡai̯lˈsəɬi], which means to comtemplate one’s navel, or to engage in navel-gazing or omphaloskepsis [source]. If you are omphaloskeptic, then in Welsh you are bogailsyllol (given to navel-gazing) [source].

The bogail [ˈbɔɡai̯l / ˈboːɡai̯l] in bogailsyllu means navel, umbilicus, belly button or afterbirth, a boss on a shield, a knob a stud, a nave, the hub of a well, middle or centre [source]. It should not be confused with bogail, which means vowel.

Words that mean navel-gazing in other languages include: navlepilleri in Danish, navelstaren in Dutch, nombrillisme in French, Nabelschau in German, and navlebeskuer in Norwegian [source].




Penric's Intrigues cover peek

Feb. 13th, 2026 07:23 am
[syndicated profile] lois_mcmaster_bujold_feed
The new cover is up --




This one came out well, in my opinion. I like the expressiveness with the hands. The magic of Pen's world is largely invisible to ordinary eyes, which presents a challenge for cover art; we'll call this the Second Sight view of things.

I would note with approval that the female figure is fully and sensibly dressed! Praise somebody.

My fave of the Baen Pen & Des covers remains the elegant one for Penric's Travels, but this moves into a close second.

Penric's Intrigues is a hardcover collection containing a short intro from me, the novel-length The Assassins of Thasalon, and the novella immediately following same, "Knot of Shadows". Projected pub date May 5.

An e-version of the volume will be available exclusively in the Baen ebook store at baen.com.

Ta, L.

posted by Lois McMaster Bujold on February, 13
linky: Saki holding the iron mask. (Sukeban Deka II: Saki - Iron Mask)
[personal profile] linky posting in [community profile] halfamoon
Title: A Well Oiled Machine
Fandom: Sukeban Deka II
Pairing/Characters: Saki/Oyko/Yukino
Rating: T
Word count: 100
Content Notes: Wound Care, Teamwork
Author's note: For the [tumblr.com profile] tokushippingweek teamwork prompt!
Summary: Saki loved her girls more than anything.
Also on Ao3 or read below the cut:

Read more... )

scape

Feb. 13th, 2026 07:18 am
prettygoodword: text: words are sexy (Default)
[personal profile] prettygoodword
scape (SKAYP) - n., (bot.) A leafless stalk growing directly out of a root or bulb; (zoo.) the shaft of an animal part, such as an antenna or feather; (arch.) the shaft of a column.


Also, although these are different words that just happen to be spelled and pronounced the same, short for escape and a combining form meaning scene (originally detached from landscape). The stem of a tulip flower seems to be the canonical example of a scape, so here's an amaryllis instead:

amaryllis flowers on a scape
Thanks, WikiMedia!

Taken around 1600 from Latin scāpus, stem/stalk, from Doric Greek skâpos, from the same PIE root that gave English shaft.

---L.
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


Lila Macapagal's quest to keep her aunt's ailing restaurant afloat is greatly complicated when a pesky foodblogger dies mid-meal... with Lila as the most likely murder suspect.

Arsenic and Adobo (Tita Rosie's Kitchen Mystery) by Mia P. Manansala
sisterdivinium: camila from wn playing piano (camila)
[personal profile] sisterdivinium posting in [community profile] halfamoon
Title: Birthright
Fandom: BBC Merlin
Characters: Morgana and Morgause
Rating: G
Notes: Done with felt tip pens, Chinese ink and graphite. In my mind, the story followed from the end of s3 very differently (well, from the end of s2 if I'm being honest) but I will not elaborate or else we'll be here all day, possibly all year :)
Summary: "By the power vested in me, I crown thee Morgana Pendragon, Queen of Camelot."

Over here, at my journal!
ineffablecabbage: the words "outer space" (Outer Space)
[personal profile] ineffablecabbage posting in [community profile] halfamoon
 Title: Her Voice Loud and Her Fists Clenched
Fandom: She-Ra (1985) / He-Man (1983) / Masters of the Universe (2026) 
Prompt: The Ruler 
Pairing/Characters: Marlena (With Marlena & Adam, Marlena & Adora, Marlena/Randor)
Rating: Teen
Word count: 500
Content Notes: Drabble Sequence. Speculative spoilers based on the Teaser Trailer for the 2026 Masters of the Universe movie. 
 
Summary: The decision to send her son to Earth is one that has been years in the making for Marlena.
 
 
lightbird: http://coelasquid.deviantart.com/ (Default)
[personal profile] lightbird posting in [community profile] halfamoon
Title/Link: Blind Bandit
Artist: [archiveofourown.org profile] justira
Fandom: Avatar: The Last Airbender
Character(s): Toph Bei Fong
Rating: G
Prompt: The Ruler

FAKE: Fanfic: Bad Weather Blues

Feb. 13th, 2026 01:16 pm
badly_knitted: (Dee & Ryo black & white)
[personal profile] badly_knitted posting in [community profile] fan_flashworks

Title: Bad Weather Blues
Fandom: FAKE
Author: [personal profile] badly_knitted
Characters: Ryo, Dee.
Rating: PG
Setting: After Like Like Love.
Summary: Dee is NOT in a good mood today.
Word Count: 400
Content Notes: None needed.
Written For: Challenge 506: Melt.
Disclaimer: I don’t own FAKE, or the characters. They belong to the wonderful Sanami Matoh.
A/N: Quadruple drabble.





Day 13 Theme - The Ruler

Feb. 13th, 2026 06:27 am
cmk418: (sansa)
[personal profile] cmk418 posting in [community profile] halfamoon
Today's theme is The Ruler.

Here are some ideas to get you started: This could be anyone from the Queen of the Gods to the head of the student council. This woman has power and isn't afraid to use it. What kind of leader is she? How has having power affected her? How did she come into this position- did she have to work for it or was it something given to her? What would happen if she was to give it up?

Just go wherever the Muse takes you. If this prompt doesn't speak to you, feel free to share something that does. You can post in a separate entry or as a comment to this post.

Want to get a jump start on tomorrow's theme? Check out the prompt list in the pinned post at the top of the page. Please don't post until that day.

podcast friday

Feb. 13th, 2026 06:59 am
sabotabby: a computer being attacked by arrows. Text reads "butlerian jihad now. Send computers to hell. If you make a robot I will kill you." (bulterian jihad)
[personal profile] sabotabby
 I'm still in catch-up mode but I'll recommend a recent episode of Better Offline, "Hater Season: Openclaw with David Gerard," Dunno if he ever checks Dreamwidth anymore but David is probably my favourite tech writer (no offence to Ed Zitron or Paris Marx or even Cathy O'Neil, who are all excellent) mainly as the guy who is right about everything and funny about it. Sometimes you just want to see two haters go at it and this episode is that. It's a little bit of economics, a little bit of debunking Clawdbot/Moltbot a few weeks before the rest of the world caught up. It's basically confirmation of my intuitive reaction to the hype bubble but they explain why my intuitive reaction is correct.

Shokyokusai Tenkatsu (1886-1944)

Feb. 13th, 2026 08:39 pm
nnozomi: (pic#16721026)
[personal profile] nnozomi posting in [community profile] senzenwomen
Shokyokusai Tenkatsu was born in 1886 in Tokyo, where her father was a pawnbroker; her birth name was Nakai Katsu. When the family business went under in 1895, she was indentured to a local tempura restaurant. The restaurant happened to be owned by the stage magician Shokyokusai Ten’ichi, who admired Katsu’s dexterity and took her on as his apprentice. Apparently he pressured her to become his mistress, and she refused him, to the point of attempting suicide once, and finally gave in upon deciding to become a serious magician herself.

Under the name Tenkatsu, she became a star of Ten’ichi’s theater, which had some seventy apprentices. Her big-boned beauty drew many admirers (and created off-the-wall legends such as “she has a diamond for a false tooth” and “she eats the flesh of mermaids”), and she led the troupe as far afield as the United States to perform; there she picked up the fast-paced American style of stage magic. Upon her return, she dazzled in Western-style sequins from head to foot.

In 1911 she founded her own troupe, with a hundred members, and married her stage manager, Noro Tatsunosuke (although it may have been a paper marriage for practical purposes). A nationwide star known as “the Queen of Magic,” she was so famous that she had her own merchandise, as well as imitators under similar names. In 1915, inspired by the performances of the actresses Kawakami Sadayakko and Matsui Sumako as Salomé, Tenkatsu put on her own magic-heavy version.

In 1935 she made a retirement tour of the country, finally passing on the name Tenkatsu to her niece Kinuko in 1937 and settling down in Tokyo to run an inn with her adopted son Teruya. In 1940, at the age of fifty-four, she met and married Kanazawa Ichiro, a professor of Spanish (her first husband had died in 1927). She died in 1944 at fifty-eight, leaving a long string of former apprentices who had become famous magicians, illusionists, and actors, many of them women.

Sources
https://artexhibition.jp/topics/features/20241222-AEJ2535235/ (Japanese) Photographs and playbills from the time
https://www.tokyomagic.jp/labyrinth/tsuchiya/magicgoods-21.htm (Japanese) Contemporary postcards of Tenkatsu in performance
[syndicated profile] file770_feed

Posted by Mike Glyer

Chris Barkley submits — For Everyone’s Consideration and just in time for Black History Month AND the opening of the 2026 Hugo Award Nomination Season, our cat, Nova, posing with The Martian Trilogy by John P. Moore.  This volume, which … Continue reading
[syndicated profile] file770_feed

Posted by Mike Glyer

By Gary Westfahl: First, I should emphasize that I have never met George R. R. Martin and have no access to any inside information about his current activities. What I am about to say about him is only a theory, … Continue reading

New Worlds: The Multi-Purpose Castle

Feb. 13th, 2026 09:04 am
swan_tower: (Default)
[personal profile] swan_tower
Castles are a stereotypical feature of the fantasy genre, but for good reason: they're a ubiquitous feature of nearly every non-nomadic society well into the gunpowder era, until artillery finally got powerful enough that "build a better wall" stopped being a useful method of defense.

But castles, like walls, sometimes get simplified and misunderstood. So let's take a look at the many purposes they once served.

(Before we do, though, a note on terminology: strictly speaking, "castle" refers only a category of European fortified residence between the 9th and 16th centuries or thereabouts. I'm using the term far more generically, in a way that would probably make a military historian's teeth hurt. There's a whole spectrum of fortification, from single small buildings to entire cities, whose elements also vary according to time and place and purpose, and probably "fortress" would be a better blanket term for me to use here. But because "castle" is the common word in the genre, I'm going to continue referring to my topic that way. You can assume I mean a fortified building or complex thereof, but not an entire settlement -- though some of my points will apply to the latter, too.)

Most obviously, castles are defensive fortifications. What a wall does for the territory behind it, a castle does for everything within its bounds -- extending, in the more complex examples, to multiple layers of walls and gates that can provide fallback positions as necessary. This means that often (though not always; see below) the land outside is cleared, access is restricted, regular patrols go out if danger is anticipated, and so forth.

This defensive function is more concentrated, though, because a castle is frequently also a depot. If you're going to store anything valuable, you want it behind strong walls, whether that's food stores, military equipment, or money. Or, for that matter, people! Prisoners will have to stay put; nobles or other figures of importance are free to wander, but when trouble threatens, they have somewhere (relatively) safe to retreat. This can become a trap if the enemy lays siege to the place, but when you can't flee, holing up is the next best choice.

That category of valuables also includes records. Fortified sites are built not just for war, but for administration; given how much "government" has historically amounted to "the forcible extraction of resources by an elite minority," it's not surprising that defensive locations have often doubled as the places from which the business of government was carried out. Deeds of property, taxation accounts, military plans, historical annals, maps -- those latter are incredibly valuable resources for anybody wanting to move through or control the area. Someone who knows their castle is about to fall might well try to screw over the victor by burning records, along with any remaining food stores.

It's not all about hiding behind walls, though. As with a border fortification, a castle serves as a point from which military force can sally out. Even though these sites occupy very small footprints, they matter in warfare because if you don't capture them -- or at least box them in with a besieging detachment -- before moving on, they'll be free to attack you from behind, raid your supply train, and otherwise cause you problems. Sometimes that's a risk worth taking! In particular, if you can move fast enough and hit hard enough, you might pass a minor castle to focus your attention on a more significant one, leaving the little places for mopping up later. (Or you won't have to mop up, because the fall of a key site makes everybody else capitulate.)

Castles are also economic centers. Not only do they organize the production and resource extraction of the surrounding area, but the people there generally have more money to spend, and their presence entails a demand for a lot of resources and some specialized services. As a consequence, a kind of financial gravity will draw business and trade toward them. Even when the key resources are somewhere other than the castle itself -- like a water-powered mill along a nearby stream -- they're very likely owned by the guy in the castle, making this still the regional locus for economic activity. If there's a local fair, be it weekly, monthly, or yearly, it may very well be held at the castle or nearby; regardless of location, the castle is likely to authorize and oversee it.

This economic aspect may lead to the creation of a castle town: a settlement (itself possibly walled) outside the walls, close enough for the inhabitants to easily reach the castle. In Japan, the proliferation of castle towns during the Sengoku period was a major driver in the early modern urbanization of the country, and I suspect the same was true in a number of European locales. Eventually you may wind up with that thing I said I wasn't discussing in this essay: an entire fortified settlement, with a castle attached on one side or plonked somewhere in the middle. It's not a good idea to let the buildings get too close to the walls -- remember that you want a clear field in which to see and assault attackers, and you don't want them setting fire to things right by your fortifications -- but the town can contribute to the idea of "defense in depth," where its wall adds another barrier between the enemy and the castle that is heart of their goal.

You'll note that I've said very little about the specific design of these places. That's because there is an ocean of specialized terminology here, and which words you need are going to depend heavily on the specifics of context. How castles get built depends on everything from the money available, to the size and organization of the force expected to attack it, to the weapons being used: nobody is going to build a star fort to defend against guys with bows and arrows, because you'd be expending massive amounts of resources and effort that only become necessary once cannons enter the field. Moats (wet or dry), Gallic walls, hoardings, crenelations, machiolations, arrowslits, cheveaux de frise . . . those are all things to look into once you know more about the general environment of your fictional war.

But back to the castles as a whole. Most of the time, they "fall" only in the sense that they fall into the hands of the attacker. A section of the wall may collapse due to being sapped from below and pounded above, but it's rare for the place to be entirely destroyed . . . in part because that's a lot of work, and in part because of all the uses listed above. Why get rid of an extremely expensive infrastructure investment, when you could take advantage of it instead? Wholesale destruction is most likely to happen when someone has achieved full enough control of the countryside that he's ready to start kneecapping the ability of his underlings to resist that control.

Or, alternatively, when somebody shows up with cannon and pounds the place into rubble. Functional castles in even the broadest sense of the word finally died out in the twentieth century, when no wall could really withstand artillery and pretty soon we had airplanes to fly over them anyway. But at any technological point prior to that -- and in the absence of magic both capable of circumventing fortifications, and widespread enough for that to be a problem defenders have to worry about -- you're likely to see these kinds of defensive structures, in one form or another.

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(originally posted at Swan Tower: https://is.gd/NzFCtO)

Countdown double-bill

Feb. 13th, 2026 08:10 am
shallowness: Close up photo of Dutch on white background (Killjoys Dutch)
[personal profile] shallowness
1.12 - This Is His Signature

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One episode left, so I decided I might as well watch it/get it over with the same night.

1.13 - Your People Are In Danger

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ETA: Such sad news that James Van Der Beek died of cancer, I didn't know he had so many children. Bittersweet to see all the Dawson's Creek stuff in these circumstances.
ysabetwordsmith: A blue sheep holding a quill dreams of Dreamwidth (Dreamsheep)
[personal profile] ysabetwordsmith
Today's theme is Lord of the Rings.

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Challenge 201: Texturize 2

Feb. 12th, 2026 10:46 pm
luminousdaze: a humpback whale spy hopping against a daytime sky (Default)
[personal profile] luminousdaze posting in [community profile] iconthat
Challenge 201
The new theme is...
Texturize 2
or this challenge we can create icons with texture images/graphics added to the screen caps or pictures.
Any kind of visible texture will do, whether soft specks of film dust, luminous light textures, wild watercolor painting or patterns & decorative designs.
This is a do-over of challenge 181.
Tips:
Find many cool icon textures at [community profile] icon_resources, [community profile] icontalking's challenge posts and [livejournal.com profile] soaked.
Large image textures: "Textures Curated" by Unsplash and the abstract and pattern background tags at Pixabay.


Inspo Icons... )
Challenge Guidelines, Directions & Rules... )
If Imgur is blocked... )

Drumroll please

Feb. 12th, 2026 10:30 pm
hrj: (Default)
[personal profile] hrj
I think I now have all the data and documents and forms assembled to do my transition-to-retirement-year tax returns. Today's task was to turn last year's financial spreadsheet into my usual yearly summary, then put the relevant data from it and all the various W2s and 1099s and whatnot into my tax data template (which needed to be updated for several new types of documents and data).

Because of how my brain works best, I'm going to go to the length of printing out paper copies of the forms to noodle on, even though I'll be filing online. And I'll be reading through the pdfs of the instruction booklets and highlighting everything that looks relevant. But on my first skim through, I think this is going to be easier than I feared. The schedule C stuff (writing business) is the same as always. And although the worksheet to calculate how much of my social security income is taxable is convoluted, the instructions walk you through it step by step.

One new wrinkle is that they now have a separate "1040-senior" form, evidently to simplify the instructions for the enhanced standard deduction for seniors (which get convoluted if you're married filing jointly but only one of you is a senior). I'll compare it point by point with the standard 1040 to make sure it doesn't do anything else bizarre.

And despite the rather chaotic nature of how my withholding is set up for the various retirement incomes, I think it's still pretty close to the right amount. Once I have this year's returns done, I can probably do a mock return for next year and see what adjustments I should make on the withholding.

Talking Meme Month - Day 12

Feb. 12th, 2026 09:37 pm
hafnia: Animated drawing of a flickering fire with a pair of eyes peeping out of it, from the film Howl's Moving Castle. (Default)
[personal profile] hafnia
(you know the drill, etc, etc. You can ask here! I will probably answer!)

Talk about fiber arts!

I'm skipping day 11 for now, since it turns out I have quite a lot to say :x but! We'll get to it later in the month, I promise.

Fiber arts!

My grandma was a quilter and did a lot of hand-sewing projects; my mom is also a quilter who does hand-sewing stuff.

My grandma taught me how to embroider, and from her and my mom I learned how to sew, which led to things like quilting and costuming as well as basic hand-sewing for clothing repair and alterations. (If you need a pair of pants hemmed, I'm here for you. :) )

In college, I learned how to knit, though as it turns out I'm absolutely terrible at it — tension is good and I don't drop stitches, but I'm just. Seemingly incapable of enjoying the process? Which is funny, really, because I also crochet, and I'm quite good at it and enjoy it a lot.

Not that I've crocheted anything noteworthy in the last couple of years, but, er.

I picked up cross-stitch during lockdowns because it was easy and didn't take a lot of brain. I've since gotten pretty good at it (the one in the background is also one I did).

The next cross-stitch thing I'm planning to do is this one. :)

I have some vague crochet plans for finishing an afghan I started literally years ago, but, well, we'll see?

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kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
kaberett

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