Several folks requested texts about which I don't have too much to say... We didn't think it was possible.... Perhaps it's better this way... Anyway! Collected for your pleasure and my peace of mind:
The Lady's Not For Burning for
nextian Wow. The language is good in this one, huh??? I'm afraid I read it right after finishing
Tam Lin, which ended up being an interesting experience... Couldn't help comparing it to Dean's interests--beautiful language, the marriage of minds alive to the world surrounded by idiots, particularly of a depressed man and a life-hungry woman--and the pacing flaws in
Tam Lin... Lady, I think, might echo them. Not that
Lady is too long, but the ending... we rise to a pitch and then we--don't. This
could work on stage, I think, if you played the silences right. Worked less good in TL.
Damn it was delicious to read, though. And I'll always happily read about people getting their belief systems shaken. And they're foils? How fun.
Fleabag, Ep. 1 for
queenlua and
osprey_archer I liked it! I like watching people make expressions. I Love to See Olivia Coleman. I'm interested in the fourth wall, and I'm especially interested in reading the play that birthed the tv series, and comparing the choices. It's depressing, and the narrator sucks, but I was surprised and interested in the Friend Situation Reveal at the end of the episode, and the control of tone that reveal ... revealed. I'd love to hear why you each bounced off!
It's worth noting that I've only seen the one episode, and that I saw it on Dracula night, so I'd watched, in order,
Bram Stoker's Dracula, and then Gatiss/Moffat's
Dracula ep 1, and then topped it off with this. At that point, I was thrilled to watch a whole cast
act. Also it was midnight by the time it finished. I do plan to watch the rest of the series, though!
The Freelancer's Bible for
genarti I read this for my Business of Copyediting class. It's very good. I'm certain it was helped by the context, which forced me to Actually Do Things with the Information, but I really was impressed by this self-help book, alas. The writing is clear, the advice specific, the resources relevant, and the tone is cheerful and excited about the opportunities freelancing can afford people while being extremely clear-eyed about the difficulties of being a freelancer, both on the individual level and the systemic. The main author is the founder and former president of the Freelancer's Union, and so she brings a fiery labor organizer's point of view to a very entrepreneurial topic that I Appreciated. The book's a bit outdated in some respects--not everyone has a cellphone! you might consider getting wireless internet! AI doesn't exist!--but the overall guidance I found as helpful as ever.
Spirited Away for
genarti,
osprey_archer, and geestellar
Stares into the middle distance. It's a good movie, Brent. No. Sorry. I watched it at a friend's place with a ton of friends, and my takeaway was, "Don't watch good movies with friends." Bless 'em. Nobody would shut up.
It was kind of an interesting experience, in that before we got started, friend H said it was one of his least favorite Ghibli films, because it doesn't have a plot. This was a shocking statement to me. Of course it has a plot. It's about Chihiro... not
growing up, exactly, but becoming More Herself. We argued about this a bit to start, and friend Z brought up that it has a Japanese-style plot, and Z is of course right. The movie's a bit episodic. There's a whole near-silent sequence on the ocean train. (Beloved.) But I also just think friend H is wrong and didn't grow up reading books about practical heroines who learn to Be Themselves. Or appreciate the soot sprites enough. Or Chihiro running down the stairs. Or my wife. Or---
Spirited Away doesn't pry me open with an oyster knife the way
Kiki does. It doesn't have the evil lesbian capitalist foil to a hot feral wolf girl that
Mononoke does. But it's my favorite.