kaberett: A photograph of a dark-grey train with white cogs painted on the side, with a bit of station roof visible above. (trains)
I was accidentally up til 1am keyboardsmashing with my largest smallcousin about this film, you see, because she finally saw it, and two things Occurred to me that I want to toss out to a more general audience.

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kaberett: A cartoon of wall art, featuring a banner reading "NO GLORY SAVE HONOR". (no glory save honour)
Over in [community profile] access_fandom, [personal profile] jesse_the_k quotes from an article on prosthetics in Fury Road:
Again, the Punch & Judy department of Warner Brothers throws a faked disability, a faux handicap, at us, in their Mad Max: Fury Road (2015) movie, and again, we consider it, just as we considered the attempts in Kingsman, or, Home of the Brave (2006), or, maybe in the ill-fated attempt for cinema titled “Hancock”.

[...snip...]

So, here they go again; what do they do there? Is it good? And, before glorifying it just because (they even write “watch Furiosa punch Max in the face, with her nubbins” which she really doesn’t; she punches him with her hand while sticking the nubbins out in the air) – why not actually *use* our eyes, to look, to ogle, to view, and (in a more strict sense) “watch” it? It is so much a visual and so not much a verbal movie so we really have to switch on our eyesies. What is there to be actually seen, what do they really show? Is this empowering or what does it really say?


... and I went and read the article and then I had OPINIONS, mostly "I am interested in the mechanical details but I am absolutely seethingly furious about how he interprets the final sequence and the story arc", and then I expanded on that a bit more in comments, which I am reproducing here for my own archives.

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