Dec. 20th, 2014

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Dec. 20th, 2014 04:44 pm
kaberett: a watercolour painting of an oak leaf floating on calm water (leaf-on-water)
I am curled up on a sofa in a bay window overlooking the Ouse, on which lights are reflecting, listening to P remind himself how pianos work. His parents are through in the kitchen putting together dinner (I helped with food last night). We bimbled briefly through town this morning - along a stretch of the wall around the minster, via a cafe that served us pistachio-rose-cardamom cake - and I spent much of the afternoon napping while he caught up on marking at his desk. Over breakfast I managed to actually help with a couple of Araucaria clues - P's mother had been saving the crossword for the next time he was around. This is proper lovely.
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
Perhaps the big thing for me is that I conceptualise myself as relying not so much on scripts as on roles. Figuring out new roles to play is generally the hardest; it's easy enough at this point for me to Nice White Posh (Disabled) Lady at shops and customer service if it'll get me the outcome I want (as discussed); it is easy for me to slip very quietly into the body language that cues other people to treat me as an authority figure (which I picked up via spending time around animals); it is easy for me to step through my specific scripts for teaching. ("Okay, please tell me if I'm going either too fast or too slow - and what's your background in X/what do you know about Y/are you comfortable with the concept of Z?")

New situations are harder: when I switch to a new role (being someone's PhD student! Meeting someone's parents for the first time when it is totally unclear whether they are thinking of me as a friend or a partner!) I have to feel out the shapes that are expected of me by trial-and-error, which is stressful. Mostly I handle it by asking lots and lots of questions about what I should be doing, but that is sometimes intrusive, so I flap around feeling sadly and anxiously as though I'm a failure. It is easier for me to act within paradigms I understand, and so on.

-- actually, that's a lie, I totally do use scripts some of the time. With doctors it's more obvious if I'm helping someone else prep for an appointment, but - it's a case of running through the plausible discussion tree (time-limited conversation with constraints on topic matter) and work out what we'll want to respond under various circumstances. But - working out scripts for myself, as opposed to other people? Not so great. Mostly for that I use Captain Awkward.

Which is the how, to some extent. As for the when -- mmm. Mostly I care less about what the situation "looks" like and more about what it feels like to me; if I'm getting stressed and clumsy and feeling unsafe in terms of just working in good faith towards a mutually-agreeable arrangement (which! happens a lot! I hate capitalism!) then I will slip into a-script-(or-role)-I-prepared-earlier. It's not really about the other party, to any extent.

Hmm. Perhaps not terribly clear. Apologies.
kaberett: a patch of sunlight on the carpet, shaped like a slightly wonky heart (light hearted)
I have decided that my least favourite season is probably summer, though it was quite hard to work out: because binding becomes vastly more uncomfortable and because the UK is so staggeringly ill-equipped to handle hot weather, and it's only for a day or two at a time so you never really have time to acclimatise.(Summer in SoCal was fine! I got used to it and adjusted habits to cope! This is never possible in the UK.) It is sticky and I have to pay more attention to hydrating enough and temperature regulation is harder. (I mean, winter has its downsides - my hands get proper unhappy with wheelchairing etc - but on the whole they bother me less.)

THINGS I LIKE: the moments when I do get to just sit and absorb sunlight and heat and don't have to think. The plants all being sturdily enthusiastic and making there be flowers and fruit and, eventually, baby plants. Fresh raspberries and strawberries. The sea being warm enough to stick toes into. The length of the days. Long evenings. Open-air concerts and plays. Properly fresh vegetables. All the colours the sea goes. :-)
kaberett: curled decorative end of curtain rail casts a heart-shaped shadow on a wall (heartfruit)
Oh goodness. Over the past few weeks I have (as has been obvious) been on a Vienna Teng kick: Stray Italian Greyhound, Hymn of Acxiom, The Last Snowfall (this is not the last snowfall ... but if I were that kind of grateful, what would I try to say?), Never Look Away (let me uncover the silver in your dark hair/the weight of your bones). Finding hope & wonder & looking forward.

Then Stars: No One Is Lost (put your hands up if you ever feel afraid!) and How Much More (I told you I was brave but I lied).

Before that: Seanan McGuire, Writing Again and Dear Thomas and Sycamore Tree and Cartography; and the Indigo Girls, Watershed and Least Complicated and Hope Alone; P!nk, Who Knew; CN Lester's new album, Sparks and Your Hands; a stack of break-up songs, as we go backwards in time.

Before that it starts to feel hazier and less immediate. But this, this is the music I have listened to most over the last little bit, this and the selkie song (Still Catch The Tide). Lots of things about, well, about confusion and about bravery and about finding beauty and about looking forward. Which, well. Yes.
kaberett: a watercolour of a pale gold/salmon honeysuckle blossom against a background of green leaves (honeysuckle)
Alright, let's make-believe that I'm a tree.
So dream: what storms have broken me?
What fruits adorn? What loving scars
graffitied in my skin, how warped
or changed with time? Do I give shade and,
later, warmth? And most of all:
please say I'm safe. Please dream me sound.

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kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
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